Roscoe Beck's public forum archive

This is Roscoe's public forum archive from 1999 until October 2000.

Hey Roscoe, nice to see ya back in the forum again!! I'm glad to see I'm not as wierd as I thought when it came to recording.. I just got a hold of a recording of Cliffs of Dover (called White Cliffs of Dover??) that was recorded at a show on October 28th 1996..(Live Valley Forge??).. It sounds like it may have been during the G3 tour, as the lineup was Eric, You, Brannen Temple, and Steve Barber.. And I know that it wasn't until the G3 tour that Eric really brought Steve on tour.. and also, the beginning of Cool No. 9 was tagged onto the end of it for some reason.. Anyways, this is one of my favorite songs to listen to now.. The bass work is really up front in this one, and it is among the best I have ever heard.. I have several live versions of Cliffs, but this one takes it, hands down.. Probably because it is the only version I have that you play on. I like how the bass really drives the song.. Gives it a more agressive feel and fills it out when EJ is rippin it up! I was wondering if you sometimes use a pick when playing live.. Cause in some spots in this song, the bass has quite an attack.. Just wondering.. and P.S: My girlfriend promised me that we will go to Austin sometime to catch you jammin at Antone's!! Hope to see ya there!! Bye for now!! _Ryan
Ryan Lindsay <bluevoodoo120@hotmail.com>
Prince Rupert, BC Canada - Saturday, October 21, 2000 at 01:14:41 (EDT)

Does any one know where I might be able to get a 1/2 or 3/4 Upright bass made in Mexico?? Sincerely Rocco
Rocco <rocco550@earthlink.net>
chicago, il USA - Friday, October 20, 2000 at 22:29:11 (EDT)

Hi JAY: 'Glad you're enjoying your RB5. As I mentioned on my last post, I've got a new one too, and as often happens, I'm really inspired by the new instrument. Over the years, I've gotten much better at set-ups, and it's exciting when the bass gets that "just right" feel. The Rockefellers gig that you mentioned would have probably been either in 1985, prior to the recording of "TONES", or more likely in January 1986, post-session but before release. The six string I played back then was the one pictured on the home page here. It was my first attempt at design work, co-designed and lovingly constructed by Michael Stevens of Stevens Guitars (email: acowboy@stevensguitars.com).I sold that particular bass a few years ago, but still have the second (revised design) six-string we built in '93. The second Stevens bass is the one on the BLUES FOUNDATION video, )"Talk to Your Daughter" and such...) Thanks for the fine compliment, 'glad that you're inspired to practice! I think I'll go do the same...
ROSCOE
Austin, TX USA - Friday, October 20, 2000 at 11:29:10 (EDT)

Roscoe, I've had your signature five for about three weeks now. In a word..WOW! My engineer commented on how fat it sounds in the mix, and others have commented on how it cuts through at the gigs. My Fender Jazz Deluxe Four is getting very jealous (same color as your Goldie). I saw you playing at Rockefeller's in Houston, TX with Eric Johnson in 1989-1990 (prior to his first album). You were playing a six string bass, but I can't remember what it was. Can you enlighten me on this? I just got your Blues Foundation video, also. You could intimidate a guy into giving up the bass with your skills and knowledge of the blues and bass, but I think I'll just practice harder. Thanks for being a great musical influence!
Jay Puckett <john.puckett@capmark.funb.com>
Stamford, CT USA - Friday, October 20, 2000 at 10:05:44 (EDT)

Hey RYAN: I guess you were posting while I was writing my post. Anyway, yeah. Kyle Brock was the man on "Trademark," though as you said, I've played it once or twice or maybe a couple of hundred times. Recording-wise, I've done my fair share of strange things: -played out of guitar amps and such. I've also used some pretty exotic instruments, an Italian EKO bass (silver sparkle no less, on a Joe Ely album), my '66 Fender CORONADO II, a Fender Bass VI... Experimentation is great (as long as your engineer has the patience for it.) Rock on, my friend.
ROSCOE
Austin, TX USA - Friday, October 13, 2000 at 22:08:21 (EDT)

THE NEWS FROM ROSCOE, Friday the 13th of October, 2000: Hey, Y'all. Well, I'm back from a little trip out west... made a swing out to Fender in Corona, CA and some exciting things are happening. In a meeting with Dan Smith (R&D/Custom Shop) a Fender RB-5 Signature model-VERSION 2 was discussed and will soon be in the planning for production. I won't say much more about it right now, but a prototype exists, and it's very cool... a few small but significant changes have been made, that I think enhance the sound and playability of the bass. We also discussed the possibililty of a FOUR STRING SIGNATURE MODEL. I know a lot of players are interested in this, and believe me, I will do all I can to see it happen. Prototypes already exist for the four-string too, so it's just a matter of getting the go-ahead from Fender. Dan Smith said that a RB-4 has already been discussed, and I understand there has also been a lot of talk of that possibility at the FENDER FORUM website. I've yet to check out that site... I'll have a look soon. But, for anyone interested in seeing the RB signature 4-string become a reality, please let the folks at Fender hear from you. Call, write, or log-on to the Fender Forum. The more inquiries they receive, the more likely it is to happen. Thanks, everyone, for the interest you've already shown. Now, to your questions... To JOHN BELL: The proposed Robben Ford regional tour is off for the time being. We couldn't get it together in time, and Robben is already booked in November. We'd still like to do it though, at a later date. Monte Montgomery and I shared a stage at Antone's during Antone's 25th Anniversary celebration this year. It was a gas, and I'm sure we'll hook up some time in the future. Thanks for checking in again, Mr. Doubt. Big hi to BRITTANY (and COUSIN BRUCIE): Glad to see you online. Italy has the best food and best coffee in the world. Hands down. It can't really be argued. No solo album planned, but Rich Harney and I are still working on our TRIPHONICS project, which WILL see the light of day, we promise. To MAX: Thanks for visiting the forum. I'll have to have a look at the site you mentioned. I'll consider new links when I have my site updated. Hey STEUART: Good to hook up again, my friend. Stay in touch. To PETER: I'm a solid Fender player, but thanks for the tip anyway. And thanks for dropping by. Hello ALLEN: The Cadillac of 5 string basses eh? I like that, thanks! See the news about the four-string version above (and call 'em up!) Hello again APICHART: Glad you finally got your bass. You said that it hums... well yes, in the single coil mode (as it had to, just like a Jazz bass.) But in the parallel or series modes on the mini toggles, it should not hum. A tip, though: I sheild my personal basses -in the control cavity and under the pickups, with copper foil. This will help with any line hum problems caused by bad AC or stage lights, as well as radio frequency (RF) interference. I brought up the sheilding issue with Fender when we first designed the bass, but it was said that the kind of sheilding I use would increase the price of the bass significantly, and we all wanted to keep the price down. Also, believe it or not, not everyone wants sheilding. I don't know what's going on with your truss rod, but I'm really sorry to hear you're having problems. I've checked out many of my basses right off of the production line, and I've never seen one, that I wouldn't want to own myself. A luthier could help you I'm sure, but maybe you should consider returning it for another bass. To TOM QUINLAN: Hello. Well, I do have a lot of Eric Johnson audio tapes already, and to be honest, I never listen to them - 'just don't have the time. I guess I'd be interested if it was an exceptional show and one of very high quality, but otherwise I'm afraid it would just be one more tape collecting dust. Let me know though, if it's something really special. I toured with Eric in 1985, January 1986, and then in 1995 through 1997. Hey JASON (and JASON:) Well, thanks for the compliment, but that was Kyle Brock playing bass on the track "Trademark." But I agree with you totally, Kyle played some great bass parts on EJ's records. Good luck to you on your bass voyage. Hi NIKKI: (Do you have a new last name?) Anyway, yes it's been quite a while, and we all miss you as well. No current plans to come to Europe with Robben, but that could always change. I'll sure let you know. My best always, to you. To LAU: You've passed your eye test, my friend, that is indeed a ZETA ELECTRIC UPRITE on the cover of "The Authorized Bootleg." I never wanted an electric upright bass until I played the ZETA. There's my endorsement. They also make a scaled-down model called the "CROSSOVER." Being also an acoustic bassist, I prefer the larger "UPRITE," but it's a matter of preference. They're both good. Hey RICK CHIANELLI: Man, I just love hearing from "the old neighborhood." Tell Bobby, Chipper and everyone hello for me. I'll be in touch soon.
ROSCOE
Austin, TX USA - Friday, October 13, 2000 at 21:55:46 (EDT)

Well, damn... I hate to be the guy who always says this but.. JASON? Kyle Brock played bass on Trademark, not Roscoe.. But he's played it live enough to burn it anyways, I'm sure.. Anyways, Hey Roscoe! How ya been? I haven't been on in a while, so I thought I'd just drop in and check things out.. I received my Mesa/Boogie DC-5 a few weeks ago and it really kills... I can actually get | |<=== That close to the EJ tone with it!! That 5 band eq lets me smooth out the Strat a little and get in his range.. Anyways, I was wondering (if at all) was the most unusual piece of equipment you have ever used to record with.. The reason I am asking this, is cause I was doing some recording in my home studio the other day, and came upon a rather interesting way to record a bass.. Ya see, I have this old Marathon MX-11 guitar amp.. I have never heard of the company in my life, and I don't think anyone else has either.. It's just a little fake tweed covered 15 watter with a 6.5" speaker in it that sounds freakin horrible with a guitar plugged into it.. But just out of curiosity, I plugged my bass into it, kept the volume at like 2 or 3, lined it into my recording setup and layed down a track to see how it would sound.. Lemme tell ya, I hit playback and was grinning from ear to ear like a little kid on Christmas!! One of the most amazing bass tones I have ever come across.. and all coming from a little cheap 15 watt solid state practice amp!! Who knew?? Have you ever come across something similar? Just thought I'd ask, cause sometimes you can find the coolest sounds in the most unlikely places.. PS: Still waitin on news about the new album!! Catch ya later, man! _Ryan
Ryan Lindsay <bluevoodoo120@hotmail.com>
Prince Rupert, BC Canada - Friday, October 13, 2000 at 18:41:52 (EDT)

Chuck...Well,Well,Well! This is Great. The Best bass player in the country (Or World)has his own Website! I'm thrilled for you! I hope you and your family are doing great(including your new little bass guitarist) Haven't heard from you in awhile. I hope your Mom and family are doing well also. The pictures of you in the basement tour of '66 are great! Brings back old memories. I probably have a few of you and Ter as well. I know you probably have a wild schedule, but when you get the chance..drop me a line or two. Come back to your home town to visit soon! Keep in touch! We have a lot to catch up on. Rick from Poughkeepsie!
Rick Chianelli <RICKAPOO@AOL.COM>
Poughkeepsie, NY USA - Friday, October 13, 2000 at 14:44:22 (EDT)

Hi Roscoe I'm thinking of getting an up-rite (electric, and I've seen pictures from the Official Bootleg w/ robben, where you play yours...(that's a zeta, huh?) Ordinary uprites are too "boring" to play. I'm wanting a bass with the feel of an electric, but the sound of an up-rite. Anything you can reccomend??? If so, I would appreciate to hear from you.
Lau Mathiesen <lau@www.com>
USA - Tuesday, October 10, 2000 at 10:20:59 (EDT)

Hi Roscoe! It´s been a while - I miss seeing you (and the rest of the band).Hope you and your family are all doing well. Any plans for a European tour soon? PLEASE update your tourpage..... Love Nikki
Nikki <clipton@spray.se>
Sweden - Saturday, October 07, 2000 at 00:50:43 (EDT)

Hey roscoe! I am just stopping by your page to check it out. I an new to Bass. But I have been playing guitar for some time... Our bass player quit... and so I fill the place... The other guitar player in the band named Jason as well loves eric johnson. So I thought maybe his bass player had to br reall good. So I was jamming trade mark and man the tone was cool... and i loved how you just kinda stayed in the grove intill like the chours and just went into some cool riffs... Anyways dude talk to you later.
Jason Evans <webmaster@somamusic.net>
Lake Jackson, Tx USA - Friday, October 06, 2000 at 22:05:15 (EDT)

Roscoe, I forgot to tell you something. I have a plan to tune RB 5 from B,E,A,D,G to E,A,D,G and C. I'm now finding out which tuning style I prefer. I'll let you know when I do it. Bye!
Apichart <apichart999@hotmail.com>
Bangkok, Thailand - Thursday, October 05, 2000 at 22:53:35 (EDT)

Hi Roscoe, just a quick note to ask you to please contact me at the above e-mail. I just received an Eric Johnson audio from 4/26/97 at The Rave in Milwaukee. Let me know if you would like further details, and if you'd like to hear it. Do you have an e-mail address that is not part of the public forum? I was also curious to know which years you toured with EJ. It's good to hear you rockin' out with his bank. A nice change from the blues for a while. Please e-mail me back. Take Care, Tom Quinlan Quimbo40@hotmail.com
Tom Quinlan <quimbo40@hotmail.com>
Dearborn, MI USA - Tuesday, October 03, 2000 at 11:14:59 (EDT)

I "SHOULD NOT" ignore, Not "should" ignore. Sorry of error typing
Apichart <apichart999@hotmail.com>
Bangkok, Thailand - Monday, October 02, 2000 at 04:17:26 (EDT)

I "SHOULD NOT" ignore, Not "should" ignore. Sorry of error typing
Apichart <apichart999@hotmail.com>
Bangkok, Thailand - Monday, October 02, 2000 at 04:17:16 (EDT)

Roscoe, I've been playing RB5 for 1 month so far. Only thing I can say is I LOVE it!!!!! It really knocked me out after I had opened the case. Veryyy beautiful, i can say. I love those mini toggles which make this bass unique. And the ohter unique is all passive tone and system. I've never played any passive bass. I 'd fallen in love with it immediately I played it. It soulds rich and full eventhough it does hum. Of course, nothing is perfect. The only complaint I wil have is the truss rod. It might have been extremely tightened by Fender manufacturer, and it can no longer be tightened. The action is a little bit high for me, but it meets the standard of string action. The store's guys had no idea why the truss rod was tightened, so I should go to have it examined by local luthier. There's a flaw on the back of the neck .....I think it might be the finish or lacquer flaw or something I'm not sure. The case cover cannot be opened without being carried. Anyway RB5 is a must-own bass i should ignore. If I bought other bass and ignore RB5, I belive I would dream of it every night
Apichart <apichart999@hotmail.com>
Bangkok, Thailand - Monday, October 02, 2000 at 04:14:06 (EDT)

Roscoe, I have your Roscoe Beck 5 string and I just love it, it's the cadilac of 5 string basses. I am in the market for a new 4 string, and was wondering when the RB4 was coming out?? Are you still working on the prototype??
Allen Tunget <roscoe@prostart.com>
Il USA - Saturday, September 30, 2000 at 21:58:25 (EDT)

this site may be of some interest to you www.handmadeguitars.co.uk ta. Peter Byrne.
Peter Byrne
USA - Tuesday, September 26, 2000 at 21:30:20 (EDT)

hey roscoe . . . greetings from the past. congrats on your son. drop me a line privately if you're so inclined. take it easy, steuart liebig
steuart liebig <steubig@aol.com>
culver city, ca USA - Monday, September 25, 2000 at 18:55:05 (EDT)

Hello !Well, interestingly enough,in my quest for "something?",and downloading a copy of webferet from zdnet,I ran a search for the SmokinGun Band,and came up with your site as one of the results ! I was glad to note that my site was listed also. Being NEW to the web "thing", I felt as though I should tell you that you site is pretty "groovy"(man)! I am interested in exchanging links with you,in that we may generate more traffic to one another's sites. The page I am currently working on (based on my non-experience) is located at http://www.oe-pages.com/ARTS/Rock4/smokingun/ ,where, one may find links to various site offering tools and money generating opportunities! You may also e-mail me at mbo2787263@earthlink.net ,so please let me know how you feel about this proposal ! Thank You MCBIII
Max C Bolton III <mbo2787263@earthlink.net>
Gulf breeze, Fl USA - Sunday, September 24, 2000 at 09:25:48 (EDT)

hey roscoe!! cool website- my dad's here, he just gave me your address. I think you might need to update the tour stuff, though. How was italy? Hope everybody's doing good, write me sometime!! any solo albums in the near future?
brittany law <alienchick124@hotmail.com>
Atlanta, tx USA - Wednesday, September 20, 2000 at 15:49:52 (EDT)

Hi Roscoe.. I noticed you mentioned something about a possible regional tour with Robben. Is it too early to elaborate on this? On another note... This may seem like a silly question (and I apologize in advance) but.... Have you ever jammed with Monte Montgomery (formally or just sittin' around)? Hopefully, this isn't too far fetched a question as y'all are both Austin players - along with EJ connection through Chris Maresh. If so, what did you think? I gotta say, if I could assemble a *dream* band of choice players... both of you guys would be up front. Hope you have a great vacation! J. Bell aka Johnny Doubt
John Bell <JBell@LogicNetInc.com>
Carrollton, TX USA - Tuesday, September 19, 2000 at 17:41:08 (EDT)

Hey Y'all. I'm on vacation for ten days or so, but I'll take a minute to check in... To MADO: I'm glad you received the lyrics. To answer your question, Charles Beck is... well, My Grandfather, my father, my son, and yes, it's my first name as well, though I rarely use it. It's a family name, you might say. re: Mark Ford lyrics, you might try leaving a message at www.bluerockit.com/contactus.html. Good luck and thanks for visiting. To MATT: Your best solution is to trim your output level after the bass. You could install a trim pot or resistor internally, but I've tried that, and have not been satisfied with the results. Better to buffer the output with an outboard unit or within the amp itself. Good to hear from you. See you later. To APICHART: Congrats on your bass. 'Hope it's everything you've wanted. Keep in touch and feel free to ask about any questions you might have. Hi PETER: 'Guess I missed you in Austin. Starting October 2nd I'll be at Antone's (in Austin) with the BLUE MONDAY BAND, as the regular bassist.. See you there. Hi TER: Much love to you, and my best to Dalton as well. Anyone who wishes and who is so inclined, please send prayers and/or good thoughts to Marlo and her children. We all need a little help sometimes...
ROSCOE
Phoenix, AZ USA - Monday, September 18, 2000 at 13:50:52 (EDT)

HEY BRO' I'm visiting Dalton at work tonight so we thought we'd pull up your site and show you off. More free advertising from your biggest fan. How's everybody? I'm working plenty and am actually going to work 3-11 starting in October so I'll see what it's like to be off the vampire shift for a while. Dalton said to tell you HEY, so Hey. Well, I'm going to stuff myself with respiratory therapy week goodies--it's the healthcare high holidays. Actually I have a request for you, since it might not work through me...I have a friend Marlo Reynolds Sharp who could stand to have a large number of people praying for her. Her children are with her X and probably being abused. She is going to court soon and I promised her I would do anything I could to help bring the strength and power to her. So let your circle know there is a deserving person in need. I love you so......Ter.
YO BABY SIS
USA - Thursday, September 14, 2000 at 02:31:04 (EDT)

Roscoe, I was just wondering if I could take you up on that offer. Would it be ok if I stopped by for a few tips? If so, where? Also, when is your next show in Austin? I missed the one at the Elephant Room a while back? Thanks alot.
Peter Schier <bassphreakz@yahoo.com>
Austin, TX USA - Monday, September 11, 2000 at 10:53:28 (EDT)

Hi...Roscoe, Long time No post. Hope you really enjoy with your new album (I mean whatever album you're working on). By the way, just wanna drop you a line that my sunburst RB is on the way to Thailand. Now it's been supposed to be on board for 1 mth, probably I should get it before the end of this month. I'm really excited!!!! And you have my words. As soon as I get it and try it, I will post all of my feelings in this website. Take care, Bye
Apichart <apichart999@hotmail.com>
Bangkok, Thailand - Sunday, September 03, 2000 at 22:05:39 (EDT)

Roscoe, I've got a question. I have a G&L 1505 bass that sounds great, but I have recently discovered that the output of the bass is too loud for my Peavy SessionBass head, and actually distorts it (if you listen close). Normally it just adds a good bite to the sound, but for softer songs that need to be really clean, it is really frustrating. Is there a way to alter the out put level of the bass from the inside? I could use the volume knob, but then I get some tone loss like you were talking about when you use your volume/wah. Please help! Thanks
Matt Bowers <mb47589@swt.edu>
San Marcos , Tx USA - Saturday, September 02, 2000 at 11:46:21 (EDT)

well.... got no words... *what's the english for "basito"?* thank you! hope i'll sing it at my best..but...who's charles beck? god bless ya... mado ps> got another problem... * i know i'm too boring...! ;-) * Mark Ford made good records but there's no place on the web where i could find some lyrics... Doncha know how much is difficult for a non-english blues singer to hear, write, copy the songs and singin'em in a real sense...??? ....bad job...! could anybody tell him that i need these lyrics AIN'T GOT DOUGH / FOOL FOR LOVE / FEELING DISCONNECTED / GIMME SOME ...well in fact i need ALL the lyrics from that 2 CDs... thank ya... ROSCO UR the best! MADO
mado <madoblues@libero.it>
cremona, italy - Friday, September 01, 2000 at 04:37:21 (EDT)

Checking in on Wednesday, Aug 30: To DAMON: I've only lost that one gold bass, but it's a drag to lose something like that. Eric lost several instruments years ago in one burglary. Most of his favorites. I guess a "high profile" is a liability in circumstances like these. If someone sees "Roscoe Beck" on the bass case and it means something to him, well, I guess it could be tempting for someone whose ethical standards may not be the highest... I've got no solid touring plans at the moment, but may be putting together a short regional tour with Robben soon... and I think you were referring to the picture with Kyle Brock,as Ryan pointed out. There was a photo on another page (w/ my "bald" summer cut) from the G3 tour a few years back...To TONY: Thank you for the kind words. You're not any relation to Pat Senatore, the bassist/nightclub owner?... Hello again VINNIE: Right on, my brother. I've talked to someone about updating the site for me... it WILL happen...it MUST...anyway, yeah. There's a new CD just out by singer/songwriter DARDEN SMITH. It's called EXTRA EXTRA, and the acoustic bass is quite present in the mix (at last!). It's catalog #VE 15118 or check the website at www.valley-entertainment.com. I'm still trying to find time to finish my own production project, the TRIPHONICS. Hey RYAN: No news on EJ's CD. I think he will probably release his ALIEN LOVE CHILD CD before the next Eric johnson record comes out though... NANCY: I called Rich for you. He'll be in touch. Hi BILL: I was into the jumbo frets for a while. I was killing frets on the road and needed all of the metal I could get, just to have something to work with. I still like tall frets, but I think the thinner ones intonate a little better. The frets on the RB bass are the same as what's on the SRV guitar. Steveie like big frets too... MADO: I'll have the lyrics sent to you. Enjoy.
ROSCOE
Austin, TX USA - Wednesday, August 30, 2000 at 13:33:28 (EDT)

hi roscoe i'm mado from italy 32 m i play in a blues band but i don't find THINK TWICE lyrics any where on the net... can u send 'em to me? madoblues@libero.it thanx and congrats!
mado <madoblues@libero.it>
cremona, italy - Wednesday, August 30, 2000 at 03:30:16 (EDT)

Hi Roscoe, Just curious..., why did you put the smaller frets in your RB-5? I noticed in some previous posts and a review that it was changed. The bass works and sounds great but you indicated in your video that you put the biggest frets you can in your basses and keep them shaped as often as need to maintain an even tone. I'm personally used to jumbo frets so too. You usally have a very well thought out response to these questions so I was just curious. Thanks, Bill Majkut
Bill Majkut <bluesman@tgi.net>
Stanwood, WA USA - Sunday, August 27, 2000 at 11:37:06 (EDT)

OOPS!! My bad...I swear I thought the mouseover said Roscoe Beck...... I'll just shut up now....DeS
Damon <maundo@damon.webprovider.com>
Monroe, LA USA - Tuesday, August 22, 2000 at 12:50:08 (EDT)

I'm wanting to say Hi to an old friend from school back in Champaign, Il. That would be Rich Harney. He was Dickie back then. He'll kill me for that. Wondering if he has a website or an email address. Nancy (Schultz) Deedrick
Nanc;y Deedrick <DeedrickN@cs.com>
Nashville, Tn USA - Monday, August 21, 2000 at 09:21:32 (EDT)

Hey Roscoe!! I know you've been asked this a countless number of times.. But HAVE YOU HEARD ANYTHING ABOUT THE NEW EJ ALBUM??? I am goin nuts here!! Anyways, just thought I'd drop in and say hello from the West Coast.... I JUST BOUGHT A MESA/BOOGIE DC-5!!!! Heh heh, sorry.. I'm just really excited. Keep rockin!! Oh yeah... And Hey DAMON, you're right.. Roscoe won't notice himself in that picture for two reasons... 1)That picture was taken in the late seventies.. and 2)That's Kyle Brock... Just thought I'd let ya know.. Ciao! _Ryan
Ryan Lindsay <bluevoodoo120@hotmail.com>
Prince Rupert, BC Canada - Sunday, August 20, 2000 at 22:51:51 (EDT)

I don't know if you're located in the Los Angeles area, if so, you can see and hear Chuck at The Baked Potato. “Chuck Rainey Coalition” Performing at The Baked Potato 6266 1/2 Sunset Blvd. Hollywood, CA Tuesday August 29, 2000 Two Shows 9:30 p.m. & 11:30 p.m. Chuck Rainey (Bass/Vocals) Jerry Peters (Keyboards) Musician: Marvin Gaye – I Want You/album Donald Byrd – Street Lady/album, Faces And Places/album Arranger: Earth Wind & Fire, Whitney Houston, Natalie Cole, James Ingram, Patti Austin Song Writer: “Going in Circles” performed by The Friends of Distinction Trevor Lawrence (Tenor Saxophone) Musician: Featured Saxophone soloist on Marvin Gaye’s “Troubled Man” Featured Saxophone soloist with The Rolling Stones (tour), Paul Bitterfield (tour) Aranger & Production: Ringo Starr-Goodnight Vienna, Etta James Song Writer” “I’m So Excited” performed by The Pointer Sisters Trevor Lawrence, Jr. (Drums) Musician: Dr. Drey, Toni Braxton, Dizzy Gillespi Arranger & Writer: “Got To Get On The Road” by The Temptations/Irresistible CD You can contact Chuck Rainey through his booking agent, Janice Matson. (972) 831-1272 email: ttuffmuz@aol.com
Janice Matson <ttuffmuz@aol.com>
Irving, TX USA - Friday, August 18, 2000 at 17:32:16 (EDT)

I'm sorry, but maybe you've forgotten the way you looked in the 80's? Check this link out... http://www.virtualguitarmagazine.com/Eric_Johnson/7Worlds_1.htm and you'll hardly recognize yourself! Cheers! DeS
Damon <maundo@damon.webprovider.com>
Monroe, LA USA - Thursday, August 17, 2000 at 23:16:15 (EDT)

I know I've complained on here a couple of times about you not updating the site, and I do apologize. You respond to every message and that's VERY cool. I'm really just trying to find out if there are any new cd's coming out soon that you've played on. Thanks
Vinnie <vpuccio@home.com>
Plainsboro, NJ USA - Thursday, August 17, 2000 at 16:46:24 (EDT)

Dear Mr Beck.. Just dropping a line to let you know that i think you`re incredible.. With much respect, Tony Senatore(NYC Bassist)
tony senatore <senny@pccom.net>
cliffside park, nj USA - Monday, August 14, 2000 at 08:20:53 (EDT)

Roscoe, you are welcome on the info. I have a question for you...after reading through the posts from the last year, I deduced (Sherlock that I am) that you had a favorite bass stolen. I also knew EJ has lost a few favorites to thieves over the years. My question is this: How many have you ever lost, and is that something that you guys are always targets for more than normal (read: non-pros) people? I'm sure that's kind of like losing a child (well, not really but it hurts I'll bet) for you. Also, are you planning on touring outside of TX anytime soon? I'm jonesin' for some good stuff....Hasta, DeS
Damon <maundo@damon.webprovider.com>
Monroe, LA USA - Sunday, August 13, 2000 at 23:55:50 (EDT)

Hey LENNY: Thanks for the review of the Elephant show. Sounds like you caught the James Polk/Passenger re-union. That was a special night of great fun for us. 'The first time in 22 years that all of those musicians have played together. Everyone's still burnin' too! Coming up next week: August 19: jazz trio with Jeff Hellmer-pianist/St. Cecilia music series, call 345-8866 for info. August 20th: KUT Radio "LIVE SET" with Willis Alan Ramsey. Sunday 8 to 9 p.m. KUT 90.5 FM. And most Monday nights: Blue Monday (Antone's house band) at Antone's. To BILL: Thanks again. Thanks also, to DAMON and CRAIG for the preamp info..
ROSCOE
Austin, TX USA - Sunday, August 13, 2000 at 15:04:11 (EDT)

Roscoe, if you want to try the Suhr preamp, let me know and I will send you a 2 band and a 3 band in a box. That way you can try it without doing any wiring. All you do is set your bass flat, or in passive and use the preamps controls to see how it will sound. Craig
Craig Baughman <crabo@flash.net>
Garland, Tx USA - Wednesday, August 09, 2000 at 00:00:12 (EDT)

Hey Roscoe - regarding the Suhr preamp, it is an outboard. A guy named Craig from Dallas should be leaving you a message shortly. Hope you like it, everyone who's tried it seems to! Take it easy...DeS P.S. Any plans for anywhere close to Monroe, LA? I know that's like a needle in a haystack, but...
Damon <maundo@damon.webprovider.com>
Monroe, LA USA - Tuesday, August 08, 2000 at 23:21:42 (EDT)

Roscoe, You're more than welcome to use my review/endorsment of your RB-V anywhere you want. In addition to my previous comments regarding that bass, We just shared the bill with Mark Farner and Creedence at the Rockin the Rockies Festival in Montana. Stu Cook (Creedence) needed a 5-string bass for that date. I let him use the RB-V and he was knocked out by it. He voiced the desire to use it on two moree Northwest shows that where we're both playing. Creedence's music is classic '60s stuff and the fact that he loved your bass for those tunes speaks volumes! Take care, Bill Majkut
Bill Majkut <bluesman@tgi.net>
Stanwood, WA USA - Tuesday, August 08, 2000 at 15:17:44 (EDT)

Roscoe, when/ where will you be playing in Austin next? I'm a new fan. I saw you at the Elephant Room with ??? (5 piece jazz set - very hot) a couple of months ago, and am looking forward to the next groove. Thanks, len.
lenny <leonard_kevin@yahoo.com>
Austin, TX USA - Tuesday, August 08, 2000 at 13:49:34 (EDT)

OOPS, 'missed responding to a couple of posts. To PETE HEWLETT: Thanks for the info re: "Cliffs Of Dover." The book of EJ transcriptions I referred to earlier is by Hal Leonard Publishing Corp. and is called simply "Eric Johnson Guitar Transcriptions." There are, however unfortunately, no bass parts given. To JORGE AVELAR: I just write the BASS PLAYER columns my friend, I don't publish them. If it's really a problem, you can contact BASS PLAYER magazine. But it sounds like you got it figured out... And to BRIAN NICHOLS: Thanks. I'm happy for my web site to be listed in the VmusicBox.com directory. Good luck with the venture. LAU: Sorry, I don't have any of my articles E-mailable (don't yet own a scanner.) Try going to bassplayer.com for back issues. CIAO Y'ALL.
ROSCOE
Austin, TX USA - Monday, August 07, 2000 at 18:07:40 (EDT)

Hey Roscoe; thanks for the reply! Well I've been looking for your pastarticles, and I can't find them anyore...... Do you know where to find them; or do YOU have them laying (E-mailable)??? If so; I would appreciate if you let me know! Hey did you go to the NAMM show??
Lau <lau@www.com>
Denmark - Monday, August 07, 2000 at 16:38:55 (EDT)

HELLO Y'ALL. 'Been kinda busy. 'Sure enough time to check in though. To BRUCE RADEK: Good to hear from you again. I guess those jazz gigs we played were in the late 70's, before I moved to CA. Congratulations on what sounds like a fulfilling career. To CHRISTINA: Thank you for the nice post. I do remember you, and I still have the photo you gave me. Maybe I'll post it here in the scrapbook section one day. (I had those red Mexican boots and all that hair hanging down.) Anyway, I'm glad to hear that you're doing well and just glad to hear from you period. Thanks. Hi DAMON: The Forum was not down. I just had a lot of work. The preamp you mentioned: I assume you're talking about an outboard preamp between the bass and the amplifier input? Something like a Sadowsky perhaps? I'd be interested in hearing it. You can have your contact in Dallas leave his email address here and I'll get in touch. Thanks for the tip. Oh yeah, Chris Maresh and Bill Maddox are really fine players. I'm sure you caught a rockin' show... Hello again to APICHART: The first album I used the signature V-string on was EJ's "Venus Isle"--song: "When The Sun Meets The Sky." Next was Robben's "The Authorized Bootleg." Most of that album was on the ZETA electric upright, but I played one or two on the V. I've used it ever since. The bass in the Blues Bass step one & two videos was the signature five-string...IN THE MAKING! The unpainted one, that is. I haven't watched that video since it was made and can't remember exactly, but I do remember playing the ZETA and the "still-in-prototype-stage" signature five-string. It's a goal of mine to get a new instuctional video out in the next year. As for Robben Ford concert videos: anything available would be copies made from TV shows, bootleg concert footage etc. I know the stuff IS out there; friends have sent me some of it. But I couldn't tell you how to get it, sorry. Concert footage does exist; a "Tonight Show" appearance (still in the Johnny Carson days), lots of European television... To VINNIE: You're right. What can I say? It needs to be done, I agree. But sometimes, things get hectic, one can just manage to get the bills paid, you know? We'll try to get on it... To ZOE: What a nice post. Thank you! EJ is truly an inspiring musician to work with, that's for sure! Look forward to seeing you next. To PETER: I don't think Austin City Limits makes their shows available for purchase, except in special offers (like SRV or "best of" type things.) Your best bet would be to find a friend who has a copy. You could probably even use the web. I'd be happy to explain how the "ZAP" solo was played--if I only could. All I can say is that it was done fingerstyle after a lot of practicing. You could try transfering to a tape machine and slowing it to half-speed. That's the way I used to copy solos. Otherwise, come to Austin for a lesson. Leave a note here and we'll try to work something out. Hey LAU: Yeah, warm-up exercises would help. You should always warm-up slowly before a gig. My first two columns in BASS PLAYER last year had some good ones. If you don't know any, just play scales, SLOWLY. That's what warm-up is. I hate to endorse pharmaceuticals, but sometimes if I have hand pain during gigs, I'll take a couple of Advil. I hear they're not good for your kidneys, so go easy. To BILL MAJKUT: WOW! What an endorsement. THANK YOU! If you don't mind, I plan to use this posting in a promo package I'll take to FENDER soon. It's very satisfying to hear that the efforts were worth the end result. As for TRACE vs. SWR vs. EDEN; -all good stuff I'm sure. I've been endorsing TRACE ELLIOT for over ten years, I'm happy with it, and see no need to change. EDEN, I've never tried, but I do use some SWR gear (Mr. Tone Controls and Interstellar Overdrive) and like it a lot. To KAREN: Hi! See you in Atlanta. To BRUKNOW: I plan to set up a meeting with FENDER in September and talk about the RB IV at that time. Hold on to the good thoughts. I charge $60/hr. for lessons. I prefer ongoing students as oppossed to one-timers, but I guess the commute's a little long from Canada. Let me know when you're passing through. To JOHN WILLS: I think some misunderstanding occured somewhere... Pedal a low B? I can't imagine... On EJ's "When The Sun Meets The Sky" I tuned the B string to a D and used it as a pedal, but this was obviously a one-time thing. Do I NEED the extra string, really? I'd have to say no, nobody really does... Jamerson, Jaco, Ray Brown, LaFaro, -all did quite well with four strings. But these guys didn't get to their level by simply copying what had been done before either. Four-string is great. I play my upright and Fender 4 all the time. But I find many good uses for the five as well. You wouldn't suggest that we drop the nineteen notes off the piano keyboard that are under the bass' low E? I've played four strings, five, six... Personally, over six strings, I don't even want to try, but I have respect for anyone brave enough to... Cheers, RB
ROSCOE
Austin, TX USA - Monday, August 07, 2000 at 14:10:56 (EDT)

You replied in your column, the main reason for using a 5 string contra was to pedal the low B and tap implied chords on the upperstrings. Okay, you do that for a five minute solo. So Why do you NEED the extra strings for the rest of the night, the rest of the week, and the rest of the year?
John Wills <bassit@netscape.net>
Bklyn, NY USA - Thursday, July 27, 2000 at 02:53:51 (EDT)

Hi...Roscoe....PLEASE do something with your websites, i've seen nothing updated for months
Apichart <apichart999@hotmail.com>
Bangkok, Thailand - Wednesday, July 26, 2000 at 00:16:04 (EDT)

Hey Roscoe...is your forum down? I haven't seen anything new for about 10 days or so....but hey, how about that Chris Maresh? I saw EJ Thursday night in Little Rock, and he's quite a player. Really enjoyed Bill Maddox on drums as well. And as I told Park Street, EJ manhandled the guitar that night....wow. Cheers! DeS
Damon <maundo@damon.webprovider.com>
Monroe, LA USA - Tuesday, July 25, 2000 at 01:23:31 (EDT)

ROSCOE, no need to comment on any of this unless you choose to. 1. A production RB4 is of paramount importance. Please do whatever you can to make this happen. Fender will be very amazed at the enormity of response and sales such a thing will garner. 2. What do you charge for lessons? Myself and others might like to know what a day's jamming with you would run, say for people travelling through Austin. 3. Keep on rockin' in the free world.
bruknow
South Burnaby, BC CANADA - Friday, July 14, 2000 at 12:18:31 (EDT)

Hi Roscoe. I am writing to let you know that your web site is a featured site at the Bass Hut located in the VmusicBox.com 3D music directory. If you wish not to be featured please contact me at your convenience. sincerely, B.D. Nichols P.S. a 12 string tuned a full step down and a clean wah peddle rule:)
Brian Nichols <VmusicBox@VmusicBox.com>
Indianapolis, IN USA - Thursday, July 13, 2000 at 23:20:56 (EDT)

HEY CHUCK, MOZELLE TOLD MY MOM ABOUT YOUR WEB PAGE. IT IS REALLY NICE. MY HUSBAND PLAYS THE BASS GUITAR AND WANTS SOME INFO ABOUT YOUR SIGNATURE BASS. HE IS ALSO INTERESTED IN YOUR INSTRUCTIONAL VIDEOS. NEXT TIME YOU AND YOUR FAMILY COME TO ATLANTA, MAYBE WE CAN COME OVER AND SEE YOU GUYS. MY HUSBAND WANTS TO MEET YOU. I BET YOUR SON IS REALLY GROWING UP. MY SON IS NOW 6 MONTHS OLD. TELL MARRITA HELLO. KAREN
KAREN CARROLL (GIBBS) <DCAR1323@CS>
BENTON, ARKANSAS USA - Thursday, July 13, 2000 at 12:35:46 (EDT)

Hi Roscoe, I’ve been playing 4 string electric and acoustic upright bass professionally for 30 years (smokingun.com). I’ve been playing 6 string electric bass for 8 years. So it was time I went searching for a 5 string. I went to all the new and used music stores and spent a gazillion hours on the Internet at all the online stores. I read all the reviews and played everything. I finally ended up with a Bubinga/Wenge/Alder/Purpleheart Tobias Classic 5 and your RB-V bass. My intention was to keep only one of them. Well…, I’ve been going back and forth for two months now and I gotta tell your fans that everything you and the reviewers wrote in the Bass Player magazine review on this bass is absolutely true. You have designed one phenomenal instrument. The tone both “Live” and in the studio is irreplaceable. The low B string cuts like a knife using either my (2) 410 SWR cabinets or in combinations with my Triad 15s. The low B is clearer than my Tobias all the way up the fingerboard (that hurts). Your bass can legitimately duplicate a vintage Fender Precision tone. With dead flatwounds (and letting my left hand mute the strings) I can get it to sound so close to James Jamerson, it’s scary. When recording it flat and using both pick-ups set to single coil mode, the ‘66 Jazz bass replication is outstanding. It’s now become my dominant instrument. There are a lot of great sounding 5 strings out there. My Tobias is one of them. But you have really crafted something special in your RB-V. Nothing I’ve found can do what it does. Thank you! You have offered bass players something that combines the vintage Fender tone in a 5-string package that is not only a “Live” and studio dream but is also highly affordable. Hey all you Roscoe fans, If you don’t have the resources to buy all the vintage Fender basses needed to get these tones and a 5-string to boot, then this instrument belongs in your arsenal. Nuff said! Now…, why the Trace Elliott 410 Cabs instead of SWR or Eden’s with the horns? Bill Majkut PS – Feel free to post this at Harmony Central.
Bill Majkut <bluesman@tgi.net>
Stanwood, WA USA - Wednesday, July 12, 2000 at 11:32:18 (EDT)

I would like to tell that the article "Roscoe Beck on major triad arpeggios" of BASS PLAYER ONLINE of July issue, was published with an error : In place of Exercise 3, it came out the Exercise 1. I would be very thankful if you publish it correctly. Thanks, Jorge.
jorge avelar <jorge@desenbanco.com.br>
salvador, ba brazil - Thursday, July 06, 2000 at 17:14:47 (EDT)

Roscoe,Hi again, just catching up on the page and saw that some-one back in June was looking for a transcription of 'Cliffs of Dover' well......There's one in an American mag called Guitar School, transcribed by a guy called Steve Gorenberg. The only thing is I don't have a date for the mag! All the best.
Pete Hewlett <pjhewlett@tinyworld.co.uk>
Lancaster, England - Wednesday, July 05, 2000 at 15:14:14 (EDT)

Hello again Ross, I'm having some problems with my left hand; it getting really sore sometimes.... I know from your ads in BP, that you recommend not to play when it's hurting, but I just can't stop like that, when you're playing a gig or so... I was wondering if you have any good excercises to do??? Cheers, Lau
Lau <lau@www.com>
Denmark - Tuesday, July 04, 2000 at 19:59:48 (EDT)

I love your style. I was wondering two things. First, where could I get a copy of you and Eric on Austin City Limits? and second...if you don't mind sharing, how do you play the Zap solo? That solo is just so awesome and I am very interested in how to play it.
Peter Schier <bassphreakz@yahoo.com>
Elgin, TX USA - Monday, July 03, 2000 at 23:08:22 (EDT)

All I know of your playing is through EJ's music. I'm a total fan, EJ is the rhythm of my heart. But he does not do what he does so well alone. It takes inspired focused musicians like yourself to work with someone so complex to bring it all together. I was really glad to hear you are playing on the new CD. I know I can expect nothing but an outstanding result. I love Austin and hope to see all of you again soon. Best wishes and God's speed on the new CD.
Zoe Stevens
TX USA - Monday, July 03, 2000 at 04:04:34 (EDT)

Hi...Roscoe I agree that you should find someone to update your "Tours and News", also other parts of these websites, if any. Thanks
Apichart <apichart999@hotmail.com>
Bangkok, Thailand - Sunday, July 02, 2000 at 22:07:26 (EDT)

PLEASE update the "Tours/News" section. You've had to of done something since last summer.
Vinnie Puccio <vpuccio@home.com>
USA - Sunday, July 02, 2000 at 11:15:54 (EDT)

Hi..Roscoe...I'd got your instructional video, the Blues Foundation for Bass.....it's greattt I watch this video every night. Anyway I'd like to ask you which album(s) shown in your websites you did begin to use the RB 5??? Which bass did you use to demonstate in the Blues Bass step one and two videoes?? and Any next new Instructional video??? Last question is -- Is there any video concert you play with Robben Ford?? Please kindly inform, looking forward to hearing from you guy Thnaks
Apichart <apichart999@hotmail.com>
Bangkok, Thailand - Thursday, June 29, 2000 at 02:49:33 (EDT)

Hey Roscoe - really enjoy your playing, wish guys like you made it to Northern Louisiana more often...kinda dry up here. Anyway, I saw the comment about the preamp and just wanted to let you know that there's another preamp about called a Suhr, and it's been getting great reviews from the people I know who have tried one. Best of all, you can try one free on the honor system if you are interested. Let me know if you are interested and I'll put you in touch with a guy in Dallas that will hook you up. Keep up the great work...DeS
Damon <maundo@damon.webprovider.com>
Monroe, LA USA - Wednesday, June 28, 2000 at 23:38:49 (EDT)

Hi Roscoe, I don't have questions about the bass. I once talked to you in the Jazz Cafe in London (1995) and a year later in Ulm(Germany). I don't want to go into detail, anyway this conversation in London helped me to see my life in a different light. I always wanted to thank you for that! It's now 5 years ago but I think it is never too late to thank you. Well, I'm pretty sure that you don't remember me... but wait, let me think, in Ulm at the gig I gave you an envelope with a picture of you taken in the Virgin Megastore in London. Last summer I went to a concert of the Supernatural Tour and I hoped to see you there but it didn't happen. So I asked myself what had happened to you and Tom? And now I know, after reading your nice homepage, what you have been doing since. Roscoe, take care and don't forget your old German fans. Christina
Christina <schnurri69@web.de>
Germany - Wednesday, June 28, 2000 at 16:21:28 (EDT)

Dear Roscoe: Here's an email from a long lost - jazz drummer friend. We played a few local jazz gig's together during my tenure at UT. Now, I practice law in Nashville - Music City, Tennessee and perform local jazz gigs. I recently played in Bucharest, Romania. They have some fantastic jazz musicians there. I am happy to see you are doing well and prospering. Best wishes, Bruce Radek
Bruce Radek <aries@edge.net>
nashville, tn USA - Wednesday, June 28, 2000 at 16:07:12 (EDT)

Dear Roscoe: Here's an email from a long lost - jazz drummer friend. We played a few local jazz gig's together during my tenure at UT. Now, I practice law in Nashville - Music City, Tennessee and perform local jazz gigs. I recently played in Bucharest, Romania. They have some fantastic jazz musicians there. I happy to see you are doing well and prospering. Best wishes, Bruce Radek
Bruce Radek <aries@edge.net>
nashville, tn USA - Wednesday, June 28, 2000 at 16:05:48 (EDT)

Hi LONNY: Thanks for visiting the site. The "Zap" bass solo was purely fingerstyle. I knew the moment of truth was approaching, -that I would be expected to burn one off in the studio, and I had been practicing for that moment--A LOT. FYI: I played it on a '65 Jazz bass (Sonic Blue, a recent purchase at that time) with an old style tube screamer (borrowed from EJ) just barely tweaked on.
ROSCOE
Austin, TX USA - Tuesday, June 27, 2000 at 23:42:27 (EDT)

Hey Roscoe, I've been listening to nothing but "Tones" for the last few weeks - some really incredible stuff. I'd like to know about your solo on "Zap" - how did you play the repeating rapidfire run? Fingerstyle, tapping, something else? Sorry for a purely technique-related post! I look forward to seeing your show if/when you roll through Chicago. Lon
Lonny White <lonnybass@aol.com>
Chicago, IL USA - Tuesday, June 27, 2000 at 17:45:31 (EDT)

Hi...Roscoe Thank for your answers, it's very informative and must-known information. Thanks again for your kind attention to my questions....:)
Apichart <apichart999@hotmail.com>
Bangkok, Thailand - Sunday, June 25, 2000 at 22:07:19 (EDT)

To APICHART: I do hope I'll return to Thailand one day, it was a very enjoyable and most memorable trip, but at this point, I don't have any idea when it might happen again. No far east trips are on the schedule, but it could always happen. Regarding the RB4 prototype and the RB5; there is only the slightest difference in sound, which I think is attributable to the difference in mass. I've not heard a 5-string yet that sounds EXACTLY like say, a jazz bass, but I worked very hard to get mine as close as possible. The RB5 neck is one-piece maple with a Pau Ferro fingerboard. Pau Ferro, to my ears, seems to fall soundwise, somewhere between rosewood and maple. I actually prefer it over rosewood, which I've come to feel is too soft for a bass fingerboard. Check the review of the bass by going to "www.roscoebeck.com/profile.htm" Recommended bass players? Wow, there are so, so many... But just for starters, in blues: get Chess records with Willie Dixon on (upright) bass. Artists like Muddy Waters, Little Walter, Howlin Wolf...I know you asked for electric bass, but Willie Dixon's importance just can't be ignored. Check out also, the first Paul Butterfield album with Jerome Arnold on bass and Sam Lay on drums, great rhythm section... Just buy the blues masters and you can't go wrong. B.B. King ("Blues Is King/Don't Answer the Door" - a must), Albert King ("Born Under A Bad Sign" -ditto.) Bobby Blue Bland, Big Mama Thornton, Little Milton, Albert Collins, Otis Spann. The list is endless, I'm afraid. A lot of electric blues bass players of the sixties were influenced by the Soul and R&B stylings of bassists like James Jamerson, Jerry Jemmott (who recorded with B.B. King), Tommy Cogbill, and Duck Dunn (recorded with Albert King), and the many fine bassits of James Brown's bands, to name only a few. Check out earlier stuff like Louis Jordan... Jazz, in a nutshell: How about the groups of Miles Davis, John Coltrane, Thelonius Monk, Wes Montogomery, and Bill Evans. That's a good start anyway. Have fun listening. That's a lot of great music right there...!
ROSCOE
Austin, TX USA - Thursday, June 22, 2000 at 13:59:52 (EDT)

Hi...again and again Roscoe, just one another question to disturb you guy -- Which bass players, who play electric bass in partially Blues and partially Jazz style, you could recommend me????? Could you recommend me some of them?????? so i'll go and buy those records
Apichart <apichart999@hotmail.com>
Bangkok, Thailand - Thursday, June 22, 2000 at 04:25:34 (EDT)

Hi..again Roscoe , recently i've checked your websites everyday to see whether anything is updated. Anyway could you pls tell me what the diffence of the sound between RB 4 (prototype) and RB 5, which are available in stores? I know only the Pao Ferro fingerboard replaces the Rosewood fingerboard. Is there any diffence in sound between these 2? And the RB5' s neck is one piece maple or laminated maple???( I'm not sure where i've heard it from) Thank you
Apichart <apichart999@hotmail.com>
Bangkok, Thailand - Wednesday, June 21, 2000 at 22:10:31 (EDT)

Hi....Roscoe, so happy to see your immediate reply, I'm very dissappointed about knowing that Robben Ford and the Blues Lines have ever toured in Thailand, that's so painful to me because i didn't know that!!!!. Anyway when is the next tour in Thailand?(I know it's difficult to know the exact date now but is there any possibility for you to tour Thailand again? If yes i will do very appreciate. And thank you for my new bass, hopefully there's no difficulty to order the bass. By the time I'll have got my bass, i'll be so proud that there're only 2 Roscoe beck bass in Thailand which the color is 3 color sunburst, 1 is others' and another one is mine. :) Uhhh... another thing is Please keep updating your websites
Apichart <apichart999@hotmail.com>
Bangkok, Thailand - Wednesday, June 21, 2000 at 06:32:49 (EDT)

I'll try that again: Muscian's Friend at: www.musiciansfriend.com
ROSCOE
Austin, TX USA - Tuesday, June 20, 2000 at 12:51:04 (EDT)

To PARK SAN DON: Hi. It pains me to have to deny your request for tablature, your plea was so sincere and strong. It's only that, "Cliffs Of Dover" was a Kyle Brock bass performance, and I have no transcription of it. There is a book of Eric Johnson guitar transcriptions available. I'll try to find that info for you. Meanwhile, try copying the bass part off of the record. That's the way it was done when I was a young lad. Thanks for the post. Sorry I couldn't be of more help. To KEN CROBIN: I haven't heard the Moon preamp, though I know of it. I wonder how it compares to a Sadowsky...? When I use a preamp, it's always outboard...I'd have too many basses to modify otherwise... Hello APICHART: Thanks for checking in. When Robben Ford and the Blue Line played Bangkok, it was surprising to find that we had many fans there. I had the opportunity to speak to several young bassists and enjoyed the interchange. If you're having difficulty getting a RB signature bass, maybe try Musician's Friend online at I know they carry the bass, and I assume they can take international orders. ANGEL: Hello old partner. I'll be in touch soon. Hey LAU: Well, you know I'm real happy with my Fenders, but thanks for the info and good luck in your new job.
ROSCOE
Austin, TX USA - Tuesday, June 20, 2000 at 12:45:10 (EDT)

Hello Roscoe! More info on the Celinder basses: CElinder is a little Danish Company; which has existed for 13 years. The founder started out by making the Classic P and J basses, with some modifications to 'em though. All the little things that people don't like about the fenders, were changed. (*guess thats individual from person to person.) Till now they've built basses for many great bassplayers, and current bassplayers to try them out are: Pino Palladino, Vic Bailey and Marcus Miller. (That's what I'm told.) See, I'll might be getting a job at Celinder/ "the Bass Shop" (the shop where Celinder and other major brand basses are sold from.) Well, if that's in your interest to have a new bass made (after your specifications), Let me know, and I'll get some material to you! Cheers Ros, Lau
Lau <lau@www.com>
Denmark - Monday, June 19, 2000 at 03:45:29 (EDT)

Hello, Roscoe! Long time-nosee.This is "Mr. Gone"from B.A., Argentina, a city in which you have been a couple of years ago, while tourin with Robben Ford. I've heard you asked 'bout me, but at the time I got a gig at the mountains, so very few musicians knew where I was. I've been trying to reach you many times, send a letter to an address I got at the Bass Player Mag. but most probably you never got it. I would really appreciate to get news from you. I keep the best mem'ries of the times when we got to play togehter (or almost !). I could arrange things in Buenos Aires if you would like to perform and "clinic" over here, so let's try to get in touch again. I'm still playing (got a 5tet.), still happily married to Nené and our son Rafael, borned in Austin, Tx., is already 20 years old and plays keyboards at his own band. Time flies, so let's catch it up ! Big hug to you, amigo !
Angel Sucheras <angelsucheras@uol.com.ar>
Buenos Aires, Argentina - Monday, June 19, 2000 at 00:37:24 (EDT)

Hi..again Roscoe sorry to write you several times. I have something to tell you and I'm sure it's gonna be very crazy!!! I was about to make a decision to purchase my new bass last month after i had got a local customized bass which sounds very bad!!!!(all materials they used!!! I can't belive why i had bouht it), i was looking for the bass with J bass sound and that's supposed to be Warwick or Fender(only these 2 brands here in Thailand, which have J pickup, the rest are noisy humbuckers!!!) I'd got a chance to try Warwick Corvette standard of my freinds' who play drum!!!!! ( he's a crazy guitar & bass colletor). After i'd tried Warwick, I felt like it didn't fit my hand and the woods used to make such a bass are not bright enough to play jazz and not familiar to me(Buginga&Wenge). So I decided to buy Fender, it must be Fender but which model. I went to the shop and sought for "Top-of-the range Fender bass" because i didn't want to buy the 4th bass anymore. American Deluxe and Roscoe Beck 5 strings were only 2 choices of mine I took 2 weeks to make up my mind and it ended up with your bass. However it's just sold out!!!!!!! Oh God...I didn't feel any hesitance to order your bass, even though i've never and ever tried Roscoe 5 strings before ,and i have to deposit 30% of total price and wait for 5-6 months for ordering and transporting. This sounds veryyyy crazy!!!!!!!! I'll post my message again when i 've got my bass. Anyway your bass sounds definitely great i'm quite sure of that
Apichart <apichart999@hotmail.com>
Bangkok, Thailand - Monday, June 19, 2000 at 00:12:34 (EDT)

Oh...I'm sorry i forgot to see your updated answers, just want you to know Roscoe, there're quite a lot your fans here in Thailand, including me and my couple of friends
Apichart <apichart999@hotmail.com>
Bangkok, Thailand - Sunday, June 18, 2000 at 23:35:14 (EDT)

Hi..Roscoe I think your websites are really great, it's informative. However it would be greater if you can put some updated info. looking for you updated info.
Apichart <apichart999@hotmail.com>
Bangkok, Thailand - Sunday, June 18, 2000 at 23:25:52 (EDT)

16 June, 2000: To MARK DAYTON: It doesn't hurt to provide an update on the EJ thing, so to answer your question, I assume that I'll be touring with Eric in the future, but as of this moment, he has no solid plans that I know of. His new CD project is taking longer than expected...and at this point, I really just can't say when that will be finished or when we might tour again. Sorry, ' wish I had something more solid to offer. As for an instructional video, yes. That is something I really want to do as soon as possible. I've been teaching privately in Austin and compiling material for the next video. It's still in the "quest" stage, but meanwhile some of the material will be appearing in my BASS PLAYER column. To LAU: I definitely prefer Fenders, I play them of my own choosing, and have hardly ever played anything else. My first bass at age 14 was an inexpensive Japanese model, but my next bass was a Precision, and I've played Fenders ever since. Warwicks, Laklands and the others are fine instruments I'm sure, but just not for me. I grew up with Fenders. Celinders I don't know either, but I do always enjoy checking other things out. And yes, I've toured Europe many, many times... Lastly, I'm very, very sorry to hear about your stolen bass. We can't be too careful. To PAUL T: Hi. Sorry, I don't know the MIA Jazz V at all. In regard to Fenders, I think that the RB5 is significantly better than the Jazz 5, especially in B-string response. The RB5 is a passive bass, and that won't please everyone, but one can always add a preamp. I thought it would be a good thing to get a great passive sound first. To PATRICK: Thank you for the nice compliment. Nice to hear from someone in Wappingers Falls, close to my birthplace (Poughkeepsie.) I have no solo record or working band of my own, I mostly work with other people. I will however, get one of my production projects "The TRIPHONICS" finished by late summer. It will be all acoustic bass and have many bass solos as well. More on that at this website when the CD is available. Thanks for asking. To JAIME: Sorry to hear about YOUR stolen gear. It's an epidemic. What a drag. So, an ex-Steely Dan producer living in Austin? That's news to me, but of course, it's quite possible. Sorry I don't know who that would be. As for bassists though, I know several good players in Austin and if I may, I'll include myself among them. For most musicians here, budget is an issue: everyone has to make a living. But if you have financial backing, there would be many fine players willing to give their best effort. When you're able to provide more details, I'll provide a few names. Thanks for the compliments re: EJ, we always try hard to please! Hi CHRIS: Long time... I'll be in touch.
ROSCOE
Austin, TX USA - Saturday, June 17, 2000 at 15:53:12 (EDT)

Hey Ros: This is Chris. How are you??? I worked with Bill last week, and we caught up a little. Are you playing in Austin at all in June? I'd love to see you.
Chris Crawford <jwmartin@concentric.net>
Austin, TX USA - Wednesday, June 14, 2000 at 13:40:28 (EDT)

Hello Roscoe, I hope all is well. I lived in Austin for about 9 years during the 80's and I played with a cover band. About 3 years ago, I was in town visiting some friends of mine and I had 2 guitars, a synth and my luggage locked inside my truck. Somebody came along while I was at a concert at Town Lake and liberated said items from my vehicle and busted off the locking mechanism to the camper shell in the process. So, I feel your pain about your "Goldie." Anyway, The real reason I'm writing is to see if you know a certain producer that I am trying to get in touch with. I forgot his name, but I met him in Austin about 3 years ago and he had produced Steely Dan's record(s) back in the 70's. I'm guessing that he is about 55 or 60 years old by now, but I was wanting to get in touch with him regarding a musical project I will be working on in the near future. Also, do you know of any outstanding bass players who might want to work on a recording project with me over the next year or so? :-) You guys are/were the best, The Eric Johnson trio. There IS NO substitute. Thanks, Jaime jaime@gismail.com
Jaime Silverstone <jaime@gismail.com>
Houston, TX USA - Sunday, June 11, 2000 at 22:42:29 (EDT)

Hi, Roscoe - just a quick note to see if you've heard the Moon AC-1 J-bass replacement tone control section + preamp. I installed one in my J-V recently and it really adds some tone plus clarity without changing the basic Jazz sound. Sounds great with those LaBella Hard Rockin' Steel strings, too! Cheers, Ken R.
Ken R. <kcrobin@uswest.net>
Denver, CO USA - Sunday, June 11, 2000 at 21:05:59 (EDT)

hello my name is sang don park here korea please please please please... cliffs of dover of bass run tablature!! give me tablature... oh... please... i'm sorry i'm a little english.. i'm a a few bass play please .. give me cliffs of dover bass tablature ... good night!!
park sand don <harley75@hanmail.net>
seoul, korea - Saturday, June 10, 2000 at 09:47:49 (EDT)

Hello Mr. Roscoe Beck you are one of my favorite bass players.I saw you play with Eric johnson and Robin Ford.I was wondering if you have your own band or solo record.If you due Iam interested find your records or tour dates.Thank you Patrick Haynes
Patrick Haynes <strat@bestweb.net>
Wappengers falls, ny USA - Wednesday, June 07, 2000 at 22:17:50 (EDT)

Hello again Roscoe! Now I know how you feel about your golden bass, that was stolen from you.... Yesterday, I had just picked up m only bass, a Steinberger Copy, from the local music store, it had just been adjusted and stuff. Well, I went with a friend of mine to a little pub just to get out dusty throats lubed, and when we were leaving, I couldn't find my bass...... Someone has obviously jacked when we went to the bathroom....... I really sad and bitter at whom it may be....... It's probably the worst feeling I know of; the fact that someone has such a big part of me (might sound stupid, but Maybe you know what I mean) Due to the fact that it wasn't a really expensive bass, I didn't have insurance for it, but I really regret that now, as I don't really have financial resources to come up with a new one.) Well what's happend, has happend, I guess!! I can just pray that I'll find it again. How long was it since you lost yours???? See ya mate, Lau btw: ALL INSTRUMENT THIEVES SHOULD DIE!!!!!!!!
Lau <lau@www.com>
Denmark - Thursday, June 01, 2000 at 20:00:24 (EDT)

Hi Roscoe, I enjoyed visiting your site. Great section on your gear as well! I have yet to try a RB5 myself, however I was thinking of buying an MIA Jazz DLX 5 string. What are your opinions on this bass? Does the RB5 remedy any of the Jazz V's problems? Regards, Paul
Paul Theriault <jd4bassjones@yahoo.com>
Toronto, ON Canada - Wednesday, May 31, 2000 at 17:58:32 (EDT)

Hello Roscoe! How are you doing?? I've wondered if you mostly prefer Fenders, or if it's because you got you own model??? What about warwick, Lakland and al the other major brands?? Also, have you heard of a brand called Celinder?? It's made by the same people who owns "The bass Shop" in Copenhagen, Denmark. I'm going to a job interview in the bass Shop very soon, so it would be really cool to tell them that I told Roscoe about Celinder!! LoL Do you ever tour Europe??? What are you currently working on??? Well, that was alot of questions!!! Appreciate your time, Lau
Lau <lau@www.com>
USA - Sunday, May 28, 2000 at 11:46:52 (EDT)

Oops . . . I committed the cardinal sin of posting . . . not reading the earlier posts before putting something up . . . I see that you already addressed the EJ question earlier . . . what can I say, us fans just have to learn to be patient!
Mark Dayton <mdayton@earthlink.net>
Costa Mesa, CA USA - Saturday, May 27, 2000 at 16:11:38 (EDT)

Hey Roscoe, really like the site! I have a couple of questions for you; First off, I know this may be kind of early to ask, but are you going to be touring with EJ anytime in the future? Also, are there any plans for anymore instructional videos?
Mark <mdayton@earthlink.net>
Costa Mesa, CA USA - Saturday, May 27, 2000 at 15:45:35 (EDT)

Cool Bro. Thanks for the info....catch up with later..if ya make it to Ca., e-me we'll do the lunch thang..later!
Pat Raymond <absplyr@yahoo.com>
Fallbrook, Ca. USA - Thursday, May 25, 2000 at 16:52:28 (EDT)

Hey PAT: I'm doing the BLUE MONDAY BAND thing at Antone's most Monday nights: --my most regular hang. Confirmed at this point: May 29, June 12, June 26, July 3, July 10, and July 27. Other Mondays are possible, though not confirmed. I'm intending to take some time off in June and July, possibly taking a short trip out to CA, but it's pretty rare that I'm not working in town somewhere. Y'all come.
ROSCOE
Austin, TX USA - Thursday, May 25, 2000 at 10:34:58 (EDT)

Hello Roscoe- A close friend of mine who reps for Fender (Jeff) in your area said I should get my butt down to Austin asap and check out the clubs....when and where will you be playing the next time in Austin so I can call Jeff to meet me down there so we can come check you out, hang out and have a good time. Pat Raymond
Pat Raymond <absplyr@yahoo.com>
Falbrook, Ca USA - Wednesday, May 24, 2000 at 18:38:37 (EDT)

Hello Roscoe- A close friend of mine who reps for Fender (Jeff)in your area said I should get my butt down to Austin asap and check out the clubs....when and where will you be playing the next time in Austin so I can call Jeff to meet me down there so we can come check you out, hang out and have a good time. Pat Raymond
Pat Raymond <absplyr@yahoo.com>
Falbrook, Ca USA - Wednesday, May 24, 2000 at 18:38:03 (EDT)

Hey RYAN: Hello again. Can't say when I'll be in Canada, but I'll let you know. I'll send a photo when I have some new ones printed. Ciao. To LAU: I think the best way to further yourself musically would be to take some lessons, either through school or privately. But here's the key: don't rely on a teacher to make you the musician you want to be--a good teacher can guide you, impart some knowledge, but most of the work is up to you. It's like the old joke, "How do you get to Carnegie Hall? --practice, practice practice." You've got to put the hours in, that's the only way. But find yourself a good intructor--you should be able to take music courses even though your main course of study is something else. Regarding "Help The Poor," you're right on. I had actually been practicing so much prior to going into the studio with Robben, that I woke up on the first morning of sessions with a serious overuse problem in my right (plucking) hand. I saw a specialist that morning, but my hand was so frozen, I had to use a pick for the first several hours of recording. By the afternoon, when we cut "Getaway," the problem had eased enough to use my fingers again. Like I've said in my BASS PLAYER columns, if the hands get stressed, give 'em a rest! To BILL: The answer to your question is quite simple; when we recorded the Blue Line records, my 5-string was still being developed: In those days I mostly used my Michael Stevens six-string--the instrument I consider the predecessor to the signature five. I used an early unfinished prototype of the five for one song on the HANDFUL OF BLUES CD, "Running Out On Me," (As well as two instuctional videos made at that time: Beginning Blues Bass, volumes 1 & 2--the bass wasn't even painted!) --but that's an unfair representation of the bass, as everything from pickups to the bridge and fret size changed afterwards. The first time I was able to record with the real finished five-string was on the last song recorded for Eric Johnson's VENUS ISLE CD, "When The Sun Meets The Sky." Subsequently, I played it on Robben's THE AUTHORIZED BOOTLEG CD, when I wasn't using the ZETA UPRITE. Save for the occasional P-Bass or J-Bass used on a recording here or there, I have used my signature instruments exclusively ever since. To BRUKNOW: Thanks for asking again about the proposed RB IV. It's all up to FENDER as to whether or not there will be a 4-string signature put into production--but I sure hope it happens, I love my protos. It's basically a four-string version of the 5, same pickup design, same controls. A little bit smaller and lighter in weight. I'm sure I'd offer it in different colors also. I will be talking to them about it very, VERY soon and keep you informed.
ROSCOE
Austin, TX USA - Friday, May 19, 2000 at 11:53:22 (EDT)

ROSCOE, please make whatever comments you can on the coming "RB4"? Earlier you repled to me that you expected something to happen with that project later this year. When would the bass be out to the public then? How will it be the same / different that the 5? I would very much like a bass like the 5, but in a 4. Don;t know how long I can wait! Thanks!!
Bruknow
CANADA - Monday, May 15, 2000 at 10:09:29 (EDT)

Roscoe, Whenever I saw the Blueline you played your Fender V quite a lot. How come you didn't record much with it? I noticed on some other posts that several of the tunes I saw you play it on live you didn't use it to record with. Why? What tunes have you used it to record with? Thank you!
Bill Majkut <bluesman@tgi.net>
Stanwood, WA USA - Friday, May 12, 2000 at 12:42:40 (EDT)

Hi again, Roscoe: I really appreciate your good advices, and I'm not doubting that you are a very clever and experienced man. It seemed that you thought I was studying music at college; I'm not. I'm taking a main degree, which I really regret choosing. Regarding what you said about releasing a solo album at an early age; it wasn't my intention to have anything released, I just want it for personal satisfaction..... Well, I'm wantong to go back to the U.S after this summer, but what would be a good way to develop my musical skills???? Should I get a job, and then take private lessons in my spare time, or ?????? Where is a good place to get started??? (I'm thinking of San Diego, as I really like that city) Well, before I go I'll have to ask you; Do you use a pick on any of the songs on Robben Fords album:; "Talk to your Daughter"????? (It sounds like you use one on "Help The Poor".......? I discussed it with my guitarist the other day, so I figured; Why not hear it from the man himself!!!! Well, gotta go now. Have to say that I really appreciate your time!! Have a nice Weekend Lau
Lau <lau@www.com>
USA - Friday, May 12, 2000 at 07:53:12 (EDT)

Excellent, Roscoe!!! Tom also plays drums with you and Robben right?? Anyways, I can't wait for that new album to come out!! I've been waiting for 4 years now for some new EJ material!! It'll be great to hear you playing on more than just 2 or 3 tracks, too!! And yeah, Lau and I should hook up! I'm sure he and I could rip through Zap, Cliffs, and Trademark with ease!!! In any case, I think your idea of a musicians board would be an excellent addition to this site! And a great way for talented musicians to find eachother!! I NEED TO FIND SOME TALENTED MUSICIANS!!! heh heh.. sorry.. Thanks alot, Roscoe!!! Here's my addy... Ryan Lindsay 1403 Prince Rupert Blvd Prince Rupert, BC, Canada V8J 3X1 You're the greatest, man!! Catch ya later!!! PS: When are you coming to Canada????? See ya!! _Ryan
Ryan Lindsay <bluevoodoo120@hotmail.com>
Prince Rupert, BC Canada - Friday, May 12, 2000 at 01:05:46 (EDT)

To LAU: Well, you've really asked a tough question, because the things you're thinking about are so important. I understand your position, because I once was in that same position, more or less. I attended North Texas State University for two years, then left to continue with a band I was working with. A few years later I went back to school at the University of Texas to continue studies. I never finished, and while I can't really say that I have regrets (that would be pointless); -if there was any one thing I could change... it would be that --I would have finished and gotten the degree. That said, obviously there are a lot of great performers out there who don't have degrees. So, to answer directly: is the diploma necessary for a career in music? Of course not. Do I recommend that you stay in school? Yes, actually, I do. There's so much that can be learned right where you are. I would want to do everything I could to encourage you to STUDY music and play, both in and out of school. Here's one more thing I can share with you: I think one of the best things that ever happened for me, as a musician, was... NOT being recorded (professionally) too early in my career. Oh, I wanted to, believe me... like you...I can remember wanting to make records when I was in my teens, and early twenties, feeling like I was ready... I can only thank the powers that be that it didn't happen (there would be one more crappy record out there, that's for sure!) There's plenty of time, Lau...work towards becoming the really great musician you want to be, but I would suggest: don't be too anxious to prove to everyone that you are "one of the boys," so to speak. When you have actually become what you aspire to be... anyone who can hear will recognize that, -you won't have much to prove. Let the music, and your musicianship speak for itself. Musical growth takes some time. I wish you the best, and good luck, whatever your decision. To RYAN: Sounds like you and Lau should get a band together! Anyway, to answer your questions: Tom Brechtlein is the drummer on the eight EJ tracks I've played on so far. Eric has also recorded some things with Bill Maddox and bassist Chris Maresh (aka Alien Love Child.) Some may be on the record, I'm not sure, but I know he is also planning an "Alien-Live" record. Thanks again for the nice compliments, Ryan. Leave your address here and the next time I get some photos printed up, I'll send you one.
ROSCOE
Austin, TX USA - Thursday, May 11, 2000 at 19:13:35 (EDT)

Hey again, Roscoe!!!! I definitely agree--The "Tones" lineup ROCKS!!!! The best trio I've ever heard!!! There's one thing I forgot to ask you... Who plays drums on the new album?? Is it Tommy??? I sure hope so, cause then I know we're really in for something here! On each of EJ's later albums (Ah Via Musicom and Venus Isle) I could instantly tell which songs you were playing bass on without even looking at the song credits. You and Tommy just seem to be able to lock into this SOLID TIGHT groove in EVERY song you play together! That punchy sound that you and Tommy can make seems to be absent from the songs that Kyle Brock plays on. I am NOT putting him down in ANY way, trust me, he is an amazing bassist... But the songs that you play on just seem to be more exciting and lively.. I thought I heard somewhere that Bill Maddox was playing drums on the new album.. I NEED TO KNOW!!!! And plus, do ya think I could get an Autographed photo from ya?? I hate to bug you like that, but it would be the COOLEST!!!! Thanks, man... Catch ya later!!!! _Ryan
Ryan Lindsay <bluevoodoo120@hotmail.com>
Prince Rupert, BC Canada - Wednesday, May 10, 2000 at 04:31:19 (EDT)

Hi Roscoe & Jacob.... Well here's the thing; I am currently in college (1st year) but my fingers are itching to get out and play some music, I want it to be my way making a living (guess many people feels that way). Within a couple of weeks I'm planning to drop out of college, and look into getting started playing some more music....... In spite of my young age, people say that I have a lot of talent, but I think I'm too obsequios though. What is a good way to get started in the music-bizz??? Should I maybe move to another country where the chances are bigger?? (I stayed in California for a year, and I really felt that the chances of getting involved in any musical activity, were greater!) My big dream is to record my own album before I'm 20; where I play all the instruments myself. (Guess I would have to learn to sing, huh??) Well, I would really appreciate hearing from you guys (Jacob too, as he seems to have somewhat the same visions as me!!) Maybe even if any of you have any schools you can reccomend, or any other way to learn and experience, It would be great if you could drop me a mail or something....? Well thanks for now!! Lau lau@www.com
Lau <lau@www.com>
Denmark - Tuesday, May 09, 2000 at 02:56:16 (EDT)

To LAU (Skittle): Hello. Yes, I do answer my own messages here. Believe me, no one else could possibly remember the minutiae... or even want to. One of your fellow countrymen is visiting at the moment, so I'll let him say a word: hej, Lau mit navn er Jacob jeg bor her hos Roscoe i et par uger, mens jeg proever at slaa mig ned som upcomming guitarplayer her i Austin. Roscoe er enormt flink saa bare spoer loes, siden det ikke ligefrem er alle der personligt tager sig af sine E-mails... held & lykke fra Austin TX. To CHRIS: Thanks for the compliment. Laying off sometimes can be a good thing, one can come back to music with a new perspective. Good luck, enjoy those beautiful beaches!
ROSCOE
Austin, TX USA - Monday, May 08, 2000 at 15:40:24 (EDT)

Thank you Roscoe Beck;your music has been an insparation to start me playing again after a ten year lay off Thanks again . Chris Gaff
chris gaff <tracygaff@onenet.au >
perth, wa australia - Sunday, May 07, 2000 at 05:18:57 (EDT)

Hello Roscoe (or whom it may regard) I think this is the first time that I've seen an artist "meet" with his fans. This bulletin board is a very good way to exchange knowledge. Well Roscoe, I just want to see if you reply my message, due to the reason that I have some questions to you about being an upcoming bassist, etc. Cant wait to hear from ya...... Lau
Skittle (Lau Mathiesen) <lau@www.com>
Copenhagen, Denmark - Saturday, May 06, 2000 at 19:10:07 (EDT)

Hey GLENN: Long time, brother. Hope all is well in Mayberry, ...I mean, A2. Good to hear from you. All Best. Hey RYAN: Guess you're a night owl, eh? To answer your questions: 1) Tommy and Kyle haven't played with Eric since '94 or '95, but you know, they've been friends a long time, and who knows what the future holds? I for one, wouldn't be surprised to see them together again one day. (I dig playing with Tommy Taylor too, and maybe the "tones" line-up will hit it again sometime...) 2) I've played on eight tracks to date, for Eric's new record. Those songs are finished, I'm not sure what else he's got planned... but I'll let you know when I do... 3) Other than my signature V, I play a prototype signature IV version of the five, my other main axe, great bass... it's not available, but I'm working on that. I've got a small cache of Fenders representing every decade from a '53 "P" to present day. I've always played Fender, they're just what I'm used to and what I like. See ya next'... Roscoe
ROSCOE
Austin, TX USA - Thursday, May 04, 2000 at 10:05:18 (EDT)

Yo Roscoe!! Just thought I'd drop in and say hi again!!! Glad to hear that you're out there jammin at clubs still!!! Around here, it can be hard to get into a club, since there isn't really any jam nights, and most bands book the clubs up to a year in advance!!! I was just wondering something, well actually a few things.. 1) Is it true that Tommy and Kyle will no longer play with Eric anymore?? I heard that somewhere and was just wondering if it was true, the credits on Venus Isle also tipped me off a little--Pavilion: Kyle Brock-bass..Roscoe Beck-Bass on end section... explain??? and 2) Did you play on any tracks on EJ's upcoming album?? and finally..3) Other than your Signature V, are there any other newer Fender Basses in your gear lineup?? I played an American Deluxe Precision that blew me away! Just wondering... Keep dominating the lower frequencies!! Adios! _Ryan
Ryan Lindsay <bluevoodoo120@hotmail.com>
Prince Rupert, BC Canada - Thursday, May 04, 2000 at 03:47:46 (EDT)

Yo Roscoe - stumbled onto the site by accident, looks great!! How ya been? Playing a lot of upright these days, eh? Cheers to you, Marita and Charles Evan - hope all is well and prosperous. Drop me a line at the listed hotmail address if yer so inclined just to say hey! ~gb in A2
Glenn Brady <rocksteady2001@hotmail.com>
A2, MI USA - Tuesday, May 02, 2000 at 23:14:08 (EDT)

Hey Y'all. I've got just a few minutes before taking off to the Antone's Blue Monday gig. To BILL: You're welcome, my friend, let me see... "Cut Me To the Bone," -I definitely worked a bit on the sound for that one. It was played on my '88 Custom Shop Jazz Bass (volume/tone all up) direct through my concert rig (Alembic Preamp, stereo DI's-Jensen transformers), using primarily the TC 1210 chorus/flanger for the "Leslie" effect. Recorded at Sound City through a NEVE. "Prison Of Love," was an "accidental" song, a jam almost, tracked originally as a demo with no vocal (lyrics hadn't even been written.) It was cut on my old original Stevens six-string, the one that adorns my home page here. It's a 35" scale bass and I always used a .145 B-string on that monster. We cut that at a funky downtown LA studio that I can't remember the name of at this moment. "Mystic Mile" was back at Sound City, '68 P-Bass/flatwounds...same as "Busted Up." "Miller's Son" was at Cherokee, cut on the ZETA bass (as on "Misunderstood.") Hope that helps, Bill. 'Hope to meet again sometime... To PAUL: Thanks, thanks... I'm glad to hear those songs are out there being performed. 'Too good to be ignored I think. Yeah, "Rugged Road" can be a real rocker. Swing hard, my brother. ROBIN: Sorry to hear about the band split. I was thinking when I read the earlier message, that it was cool you were still together...anyway, best to you and your brother and good luck on the new project. I look forward to hearing about it. Time to go play the blues...
ROSCOE
Austin, TX USA - Monday, May 01, 2000 at 23:31:34 (EDT)

Hi Roscoe Thanks for the reply to my question its top notch of you. Its cool that you remember the band sadly the hoax split up last year but my brother (the guitarist) and I are working on a new project. Thanks once again Robin.
Robin Davey <robin.d@btinternet.com>
England, USA - Friday, April 28, 2000 at 21:03:21 (EDT)

ROSCOE JUST WANTED TO SAY WAAAASUP!!!!!!!!!!!!,I HAVE BEEN PLAYING BLUES BASS FOR YEARS.I PLAY BASS FOR ERIC KING &THE THIN LINE OUT OF NORTHERN VA WE DO FOUR PIECES OFF OF MYSTIC MILE PEOPLE ARE TOTALLY BLOWN A WAY WITH THE PIECES, FIRST THING IM ASKED IS WHO IS THE BASS PLAYER.THEY HAVE BOUGHT THE CD NOW THIER ARE MORE ROSCOE BECK FANS BUZZING ABOUT YOU.WE KILL THEM DEAD WITH "RUGED ROAD"SO THANKS FOR THE ENJOYABLE BASS LINES SEE YA!!! PAUL
paul phillips <rowphil@aol>
USA - Friday, April 28, 2000 at 18:20:55 (EDT)

Roscoe, Thank you VERY much for the response to my recording questions. It helps a great deal. Since you're so graciuos with your info, would you tell me the recording history/parameters on: You Cut Me To The Bone, Prison Of Love, Mystic Mile and The Millers Song. Each one has differences but HUGE tone! I'm older than you, been around a while too and YOU are definitley my favorite. We did meet once, at the Backstage in Seattle where you signed your video for me. Anyway..., I really appreciate your input. Thanks, Bill
Bill Majkut <bluesman@tgi.net>
Stanwood, WA USA - Friday, April 28, 2000 at 16:21:44 (EDT)

Hello JUSTIN: You're a busy fellow. Congratulations on your website. I'll have a look. My best to you and your band mates. To BILL: Thanks for the question. I'll try to answer as best I can. The two songs that you mentioned "Busted Up," and "Don't Let Me Be Misunderstood," were on two different CD's recorded at two different studios in L.A. The Mic/DI/EQ stuff is important of course, but probably more than most tracks, THE BASIS OF THOSE SOUNDS REALLY CAME FROM THE INSTRUMENTS USED. On "Busted," I played a '68 P-Bass with flatwound strings (I use LaBella flats.) On "Misunderstood," I used my ZETA Uprite also with LaBella's (7720M Acoustic Bass strings.) Both of these instruments are the ones I specifically use when I'm going for the really big bottom punch. "Busted" was recorded at Sound City so I know I went through a NEVE mic pre (mono) and mic'ed my Trace-Eliott concert rig (4X10 cab.) I can't say for sure what mic was used, but I set my amp basically flat and record flat as well. Then I check what the studio has available and look for a mic that faithfully reproduces the sound I hear. I leave any EQ-ing for the mix when at all possible. The ZETA was recorded basically the same way (at Cherokee in L.A.) though the board may have been a TRIDENT. My advice: get the sound you want from your instrument and amp, and then, try a couple of different mics. If your engineer is a good one, he'll capture it for you. Good luck on the recording. To STAN: Thanks for the kind words. I hope to see you in Sacramento. Drop by and say hi, OK? To ROBIN and THE HOAX: Hey! I remember you guys. Good to hear from you. To answer your question Robin, yes, I do use semi-flatwounds or "half-rounds," as they are also called. I use and endorse LA BELLA strings mostly, but as they don't make half-rounds, I use, in that case, D'Addario Half-Rounds. I previously endorsed D'Addario strings, and they make a fine product as well. Good luck to you and the guys. Great to hear from you again.
ROSCOE
Austin, TX USA - Friday, April 28, 2000 at 11:44:42 (EDT)

Hi Roscoe I have a small question about your strings if thats alright. I heard you use semi flatwounds sometimes is this correct?. I have been experimenting with various strings including flatwounds which I really like but would be interested in trying some semi-flatwounds do you know who makes them?. I was lucky enough to meet you when I did a couple of shows with you in London a few years back playing with a band called The Hoax and your playing and sound has really inspired me a huge amount. All the best Robin Davey.
Robin Davey <robin.d@btinternet.com>
England, - Monday, April 24, 2000 at 14:58:42 (EDT)

I started playing bass a few years ago and now play with a blues band. You have been a wonderful inspiration to me. I look forward to the chance to see you play live. You are awesum.
Stan Sorensen <nats23@juno.com>
Sacramento, CA USA - Thursday, April 20, 2000 at 21:45:20 (EDT)

Roscoe, I want to know the microphone/direct box, mix, combination and EQs you use in the studio to get that tone of yours. Specifiacally the tone on Busted Up and Don't Let Me Be Misunderstood. My ear can hear the the Bass instrument tone, but what do you do to get the rest of it on tape? I'm heading back into the studio on April 30th for our 3rd CD. Any comments will be appreciated.
Bill Majkut <bluesman@tgi.net>
Stanwood, WA USA - Thursday, April 20, 2000 at 17:20:09 (EDT)

www.justinbunn.com
Justin Bunn
USA - Friday, April 14, 2000 at 19:59:05 (EDT)

Roscoe; Just wanted to let you know about my new website. I have been playing guitar for 5 years and play in my own Eric Johnson influenced band. It would be great if you visited and sent an e-mail to me and the band! Thanks for your time, Justin Bunn
Justin Bunn <justin_bunn@hotmail.com>
Trenton, Ontario Canada - Friday, April 14, 2000 at 19:57:19 (EDT)

Postscript 13 APR 2000: Hey, some of you may want to check this out, just for grins. There's an informal gig happening here next week, a reunion of some old friends of more than twenty years ago. I don't think we'll be well rehearsed, if rehearsed at all, but we're going to try to have some fun anyway. It's a jazz thing, probably mostly standards, happening locally that's going to be webcast. I'll include the URL here, (sorry I can't set a link in the public forum:) http://www.clubcastlive.com/spotlight/jamespolk.jsp I'll be interested to know how well this works. By the way, PETE H., thanks for the tip on the Rotosound long scales; I know many people will be interested in that info. See y'all on the web.
ROSCOE
Austin, TX USA - Thursday, April 13, 2000 at 11:42:39 (EDT)

Roscoe, Could not believe my luck catching you with Robben in Colne, ( deepest darkest Lancashire ) last year. Also thanks for the RB5. I,ve not long since found some strings that will go through the body, and also get a ball end to fit the recess, they are RotoSound 'Piano string design 99'. Thanks again for the inspiration. Pete
Pete Hewlett <pjhewlett@tinyworld.co.uk>
Lancaster, England - Wednesday, April 12, 2000 at 14:38:50 (EDT)

APRIL 11, 2000: To RYAN: Hello again. Good luck with your project. Sounds like quite an undertaking. I've got an idea to add a "Musicians Wanted" board to my website when we update. Maybe you can find some other musicians to work with that inspire you. We'll see if it's a workable idea... Hello JUSTIN (BUNN): To be completely honest, Eric and I have no plans at the moment. He's still working on the new (uncompleted) CD. I doubt if there's any possibility of an Eric Johnson tour until that's finished. Every now and then, we do a show in the Austin area, but sorry, that's it for now. STEVE SNYDER, you're one bad cat! To AL G.: Thanks for checking out my video. If you can do the stuff that's on the video, you've already got a pretty good start. It's something you can teach yourself, really. ('Just have to put in the time.) But something that may help; try first voicing chords up the neck. That is, on whatever given song you want to work on, first work out some three-voice chords above say, the 10th fret. Find several possibilities using root-third-fifth structure and then add other chord tones 7ths, 9ths and so on. After you can comp chords played in a more traditional manner, you're ready to convert the knowledge to a tapping approach. It's not easy, a lifetime to master, but you'll never be bored! ROBB: Thanks for the kind words about the RF/BLUE LINE band. Will the BLUE LINE ever tour again? I have no idea. I don't think it will be real soon, if indeed it ever happens. Everyone is off doing something else now, but it's always possible. I have nothing but love and the highest respect for Robben and Tom...anytime. We'll just see... To MICHAEL: Good to hear from you. I'm always glad to meet nice folks, and signing guitars or whatever--is no big deal. 'Happy to do it. I just try to make sure, that the owner won't regret it later, especially if the instrument is vintage. Regards to your daughter. 'Hope that tele is making some good sounds. Oh yes, In regards to Goldie. I've never seen or heard of anyone who's sighted it. It's a drag to lose an instrument, for sure. It was my main 4-string at the time, but I must admit, I now have one I like even better. I don't wish anyone harm, but I do hope that whoever took it has a little trouble sleeping--maybe he or she will not take someone else's pride and joy. LUCA: Lyrics are sent. Enjoy. To DUSTIN (in GA): I use a two knob/three way switch with a push pull pot that gives a fourth position. I considered the five way switch but the 3-way is easier for quick on-stage changes--and that is basically the reason: My setup allows me to make tonal changes quickly and definitively. Finding the balance between two volume pots in the heat of battle is not ideal for me. Quick, easy, usable sounds is what I was after when I went to my current setup. To BRUCKNOW: Thanks for the kind words about the five. I'm hoping to move along the RB four-string project this year. As I've mentioned before, I've built two, and I'm really happy with them. I'm not familiar with the G&L's. I'm always curious, but I'm just so pleased with what I've got, I don't go out looking for other instruments. Every now and then, someone shows me something they're using... To ED WAS: No and yes. I won't be with Eric at the Houston show; yes I do often play BLUE MONDAY at ANTONE'S here in Austin. My hair still smells like the blues: the stale smoke from last night's gig. I have a great time playing with those guys: Derek O'Brien-the most underated guitarist in Austin blues, Riley Osbourne-burning keyboardist, George Rains-from Jimmie Vaughan's band, rock solid and the best shuffle on the planet. Malford Milligan or Mike Cross on vocals-SOULFUL with a capital "S." We have big fun, that's what it's all about. Later, y'all. Thanks for checkin' in.
ROSCOE
AUSTIN, TX USA - Tuesday, April 11, 2000 at 11:27:27 (EDT)

Great site! Love the Real Audio. Just two questions. I was wondering if you're going to be playing with Eric Johnson at the Houston International Festival and I heard that there is a Blue Monday in Austin that you play at, is that right? Thanks, Have a great day
Ed Wasilewski <Edwas1234@yahoo.com>
Houston, Tx USA - Monday, April 10, 2000 at 12:51:09 (EDT)

Roscoe / anyone, please help! I want the tone of the Fender Roscoe Beck 5 when in humbucking series mode, but in a 4 string bass. Can anyone tell me if the G&L is anything like that? = THICK, HEAVY, and WARM. I gather the Music Man are too bright, and was thinking that maybe the G&L L2000 would be "it". I'd prefer passive electronics. Any comments or other suggestions greatly appreciated. Thanks! p.s. Roscoe, the RB5 is a stunning work in construction, playability, and sound! The tonal palette is awesome, and the bass inspires me to practice and play more than ever before. Thanks for all your effort to bring this wonderful instrument to fruition. It is truly creative and unique!
bruknow <bruknow@hotmail.com>
Vancouver, BC CANADA - Sunday, April 09, 2000 at 15:18:29 (EDT)

Why did you switch from a three knob config to a two knob and a five way switch? Does fender still make the three knob?
Dustin <nakedmusic@alltel.net>
Rocky face , ga USA - Wednesday, April 05, 2000 at 19:07:51 (EDT)

Ciao Roscoe. I play in a blues band and, obviously, we play a lot of Robben Ford and The Blue Line's songs. But we are going aout of our minds understanding what Robben sings on your song "Think Twice". Where can I find the lyric, please? Thanks a lot and see you soon (don't forget Italy is wating you back!!!). Ciao Luca.
Luca <bassplayer@libero.it>
MILANO, ITALY - Thursday, March 30, 2000 at 13:25:43 (EST)

Yeah, I agree with Mike...Maybe he'll cut his wrist on an unfinished fret, or get impaled by the headstock in some freak accident or something... I hope Goldie returns safe and sound, Roscoe.. _Ryan L
Ryan Lindsay <bluevoodoo120@hotmail.com>
Prince Rupert, BC Canada - Monday, March 27, 2000 at 02:50:43 (EST)

Roscoe, i forgot to ask if you ever located that shoreline gold fender? I don't have it, but i hope whoever stole it gets some kind of rash from playing it!! a real bad rash, mabye shingles or something that itches real bad everytime they pick it up!! God forgive me, but don't steal a man's guitar!! later, m lovell
Michael Lovell <mflovell@datastar.net>
Carriere, ms USA - Sunday, March 26, 2000 at 17:18:47 (EST)

Roscoe, caught you and Eric at the "House of Blues" in New Orleans a few years back. Thanks for letting us come back and meet you guys. Also, thanks for signing my daughters telecaster; she flipped out!! You guys slayed me that night, and i'm looking forward to seeing you again in the N.O. area soon. Keep on doin' it!! Thanks again, M. Lovell
Michael Lovell <mflovell@datastar.net>
Carriere, Ms USA - Sunday, March 26, 2000 at 16:56:31 (EST)

THE WORK WITH ROBBIN FORD WAS SIMPLY THE BEST ... I KNOW TIMES CHANGE AND WE ALL WITH THEM. BRING IT BACK TO THE STATES I WOULD LOVE TO LEARN MORE BY WATCHING YOU LIVE ... YOURS IN MUSIC JT
J. T. <JSJBP77>
INDPLS, INTHE WORK WIYH ROBB USA - Wednesday, March 22, 2000 at 20:10:23 (EST)

Dear RB, I am interested in learning more about your two-hand tapping technique. I have the "Blues Essentials" video in which you scratch the surface, but I'd like to know more about your harmonic approach (when to sub schords, and which ones, and why). Do you have anything available?? I've been working trio with Cesar Diaz, and being able to put some "horn punches" or B-3 style accompaniments behind him would be helpful. Thanks.
Al Guerrero <alg@albarell.com>
Bethlehem, PA USA - Wednesday, March 22, 2000 at 18:23:00 (EST)

Hey! Have your jacket in my office. Great playing last night! Talk to you soon - Steve
Steven snyder <sds@mail.utexas.edu>
USA - Wednesday, March 22, 2000 at 12:48:54 (EST)

Hello Roscoe Beck! I was just wondering what if any are your future plans with Eric Johnson? Thank You Very Much
Justin Bunn <justin_bunn@hotmail.com>
Trenton, On Canada - Tuesday, March 21, 2000 at 17:28:35 (EST)

Hi again, Roscoe!!! Thanks so much for responding to my posting, it's so great to know that there's music greats out there who actually answer their own e-mail!!! And yeah, as you could probably tell, I am an EJ freak!! I'm just having trouble finding a drummer and bassist who can play yours and Tommy's parts tight enough... I have a keyboard player who rocks, but the rhythym section needs a bit of spice.. But what can ya do, right?? I have a project to complete over the next few weeks that I thought I'd tell you about.. I have the next two weeks off work, so I'm gonna get down and record. (I have a studio in my Basement consisting of my trusty iMac running Pro Tools, a Mackie 4-bus mixer, and some other stuff). I'm going to do all my EJ faves, and record a few originals of my own as well, including a ballad that my girlfriend Kya and I wrote last summer (She is an award winning singer and pianist!!!! No wonder I love her so much!!!!) The cool thing about this, is that I will play ALL the instruments myself, I've been playing drums for about 7 years, Bass for 8, and Guitar for 13.. This way, I can have a drummer and a Bass player that play EXACTLY how I want!!! I'm really excited about what will come out of this, and I haven't even started it yet!!! Anyways, I just thought I'd let you in on that, and if you wanna hear anything that I record, let me know, and I'll be more than happy to send a copy to ya!!! Thanks again for responding, man!! You ROCK!!!! Made my week!!!!! Until then, see ya!!!! _Ryan L
Ryan Lindsay <bluevoodoo120@hotmail.com>
Prince Rupert, BC Canada - Monday, March 13, 2000 at 03:33:04 (EST)

Hi DAVID: Thanks for checking in. "Camel's Night Out" is a Kyle Brock composition, and he plays bass on it. 'Good one to sequence, it's a real right hand burner! Next time I see him I'll pass along the request; perhaps he can help.
ROSCOE
Austin, TX USA - Sunday, March 12, 2000 at 09:49:10 (EST)

I'm in the process of sequencing "Camel's Night Out" and would like to know if any TAB exists for your bass performance on the CD? Any info that might help would be appreciated. Thanks David
David Hardy <knuck@1netdrive.com>
Coconut Creek, Fl USA - Sunday, March 12, 2000 at 02:23:55 (EST)

10 MAR '00: Well, right off, I must say that Mr. Vinnie Puccio is right... it's time to update this site, overdue actually, and I'll try to get that happening soon. A threaded message board is one change we'd like to make. OK. So hello, to JOE in Melbourne. As unbelievable as it may sound, I do remember standing outside the club in Melbourne having a conversation with someone, though I can't remember who. We were talking music; "shop" as I recall... Thanks for the compliment on the Mark Ford stuff. I really enjoyed doing both of his records: very low key... 'just playing (and recording) for the love of it. 'Like jamming with a few friends. See you later, I'd be happy to have that cup of tea with you in Melbourne. Hey KEN: 'Glad that the LaBella folks came through for you. It's good to hear stories like that. Yeah, the .128's are THE smokin' B-string in my book. Cheers. STEVE: Hey, nobody calls me Chuck except my mother. You know that. But yeah, I remember Todd and George. Todd played guitar with Rod Stewart and George played bass with Michael McDonald. Say hi to those guys when you see them and tell them to give me a call when they swing through Austin. But, no more family secrets, eh pally? To JAY: Hello, and thanks... for the thanks. I'm really greatly honored by you and folks like yourself, just to have contributed some small thing... 'makes me happy... the effort it took to get the bass done was very well worth it. Method books? I'm sure there are some out there for five-string, I haven't really looked to be honest. But any good method book, whether 4 or 5, would probably serve you well. I hope to get some new instructional material out this year, a book or video, or both. It will be a more comprehensive version of the approach I'm taking in the "Beginning Five String Bass" column in BASS PLAYER. To JohnnyDoubt: Hello again. Sorry I don't know Kim Davis. Kinda sounds familiar; 'probably have heard his name bantered about, but can't help you with that one. Good luck with your band. I'll keep my ear out. To RYAN: Wow, now that's a post! Right on, my brother. 'Sounds like you're playing the whole EJ songbook. I'm not sure I remember all of those songs, (not today anyway.) Man, it's been two years since the last EJ tour! That's very cool though, thank you. I look forward to hearing good things from you. I'll pass your comments on to Mr. Johnson...
ROSCOE
Austin, TX USA - Friday, March 10, 2000 at 13:18:15 (EST)

When are you going to update this site?
Vinnie Puccio <vpuccio@home.com>
USA - Wednesday, March 08, 2000 at 20:36:53 (EST)

Hey Roscoe!!!! Excellent site, man!!! When I first heard Eric Johnson's album "Tones" about a year ago, I was blown away!! The way you and Eric can play off eachother is nothing short of AMAZING!!!!!. Ever since hearing Zap, the way I play guitar (and Bass) has changed dramatically. I now own every EJ album out there, and every time I listen to a track with you playing on it, I just sit there in a trance!!! Although I am primarily a guitar player (since I was 5), I'm also a bassist in a local Jazz Ensemble, and state you as my biggest influence!!! I am 18 years old, and I play in a band that primarily does EJ covers, (Cliffs of Dover, Trademark, Righteous, Zap, Manhattan, Victory, Soulful Terrain, Camels Night Out, Pavilion with the Venus Reprise tagged on the end) .. I'm getting close to that magic Johnson tone,(Old Strats through Crate BV120 Heads and Celestion Cabs) but I always find myself criticising my bass player too much cause he can't play like you!!! AM I NUTS???? Anyways, I just wanted to drop you a line and say that you are the greatest bass player out there!!!! I love this site, and I just wanna say, Thanks for the inspiration, man..You and Eric both.. Tell him that for me, will ya?? He apparantly doesn't have an e-mail addy.. Thanks again Roscoe!!!!!
Ryan Lindsay <bluevoodoo120@hotmail.com>
Prince Rupert, BC Canada - Saturday, March 04, 2000 at 17:58:04 (EST)

Hi Roscoe, I was wondering if there was a comprehensive method book or books for five string bass that you could recommend. Any suggestions would be greatly appreciated. Thanks, Jay Howard
Jay Howard <Bidneh@aol.com>
USA - Saturday, March 04, 2000 at 01:25:15 (EST)

Hi Roscoe, thanks so much for responding to my earlier post. Unfortunately (for me) I was only 10 back in '74 so I missed out on your classical guitar days. Doh! Anyway, I was wondering if, by virtue of your presence in Austin, you have heard of Dallas/Austin guitar player named Kim Davis? He played with SRV way back and later in a pretty popular band in the 80's (their hit was called Nicole?) but I can't remember the name of his band. The reason I ask is that he sold me my first Stratocaster 4 years ago -- and was very helpful in getting me up and over that initial hump of learning to play -- he was very encouraging and very generous with his time and I just wanted to say Thanks --- AND.... Thanks also to musicians such as yourself for sharing the love of music with all of us. Your enthusiasm is infectious. Keep it comin'! BTW.. Keep a look out for the band called SkeptiMystical (featuring Johnny Doubt). Later John
John Bell <JohnnyDoubt@Yahoo.com>
Carrollton, TX USA - Tuesday, February 29, 2000 at 10:54:47 (EST)

Hello Roscoe, I just wanted to say thanks for developing the "Roscoe Beck Signature 5 string bass. I am primarily a trombone and baritone sax player, but, have also been learning electric bass. The quality and variety of sounds produced by your signature bass are out of this world. Thanks again for helping to make bass playing very enjoyable. "Jay-bass" Howard
Jay Howard <Bidneh@aol.com>
USA - Sunday, February 27, 2000 at 02:55:24 (EST)

Chuck, just played session with some great guys in Delbert's band who live in Nashville but were from LA originally. Ever heard of a bass player named George Hawkins or a guitar player named Todd Sharp? Really blowin' guys. Todd had a song Jenny was interested in that he finally gave to Juice Newton-played with Rod Stewart early 90's. All thought you hung the moon but I set them straight. Call me sometime & give a kiss to charlie & Marita. Stevie
Steve Meador <smeador880@aol.com>
Lubbock, Tx USA - Wednesday, February 23, 2000 at 21:53:26 (EST)

Roscoe - thanks for the tip on detuning. I've never tried that, but it makes sense. Occasionally I string up and one of the strings goes "thwang"! while I'm tuning or just getting them settled. This might be due to the problem you mentioned. BTW, I called E.O. Mari and they sent me a .135 and a .128 B *FREE* to see if I could fix the bad sound. Talk about customer service! They even priority-mailed them. I put the .128 B on tonight and man, what a difference! Bassists - Roscoe is right on this call. LaBella Hard Rockin' Steels have a damned good B if you get the .128! Thanks again, man!
Ken R. <kcrobin@hotmail.com>
Denver, CO USA - Tuesday, February 22, 2000 at 21:46:03 (EST)

hi there roscoe, I saw you first play at the Continental in Melborne Australia with Robben Ford The concert was so good Iwas so blown out I stayed for the next show .You might remember on your break you were standing outside talking to some guy and i was standing next to you and just listeneing in. Ive been playing bass since 85 but because I picked up the blues groove Ive pla yed in some great little blues outfits but now I'm doing a 10 month course in theory aural etc etc to let my creative levels out as I don't read to well or write. Iwas wondering if you have any plans on coming to Melbourne again in the near future.I play a 4 string Sadowsky (super active) thru a Warick 400 pro & a 4x10 warick cab which gives me enuf of the right sound playing live, but I havn't as yet found the right 5 string. Anyway I love your style especially what you do with the solo stuff on Mark Ford's C.D Great stuff.Great stuff Roscoe Ihpe When you come to Melbourne You can come ver for a cup of tea ( ha ) All the Best Joe
joe <jhiltz@rabbit.com.au>
melbourne, victoria Australia - Monday, February 21, 2000 at 11:28:51 (EST)

Hey, KEN: I've never tried a .135 Hard Rockin' Steel B-string (I use the .128's exclusively), so I can't really give you any insight into why it doesn't sound right, other than... perhaps...Something I discovered a few years ago, quite by accident: When you wind a string onto the post (of the tuning machines) it causes a twist in the string from the tuning machine posts to the bridge, resulting in an increased tension you can feel--and resulting sometimes in the winding separating from the core of the string. Try detuning the string enough so that it goes slack, push the ball end back through the bridge a 1/4 inch or so, and see if it does a little spin dance (at the bridge end). Help it along if need be. I go through this routine everytime I change strings. 'Put them on, stretch 'em out, then detune one string at a time, letting them release the tension caused from the turns around the post. Try it, and good luck!-RB
ROSCOE
Austin, TX USA - Thursday, February 17, 2000 at 19:15:03 (EST)

Roscoe - I tried LaBella Hard Rockin' Steels with a .135 B string and it sounds, well...awful. Did I miss something here? Maybe the .128 B string works better? Thx!
Ken R. <kcrobin@uswest.net>
denver, co USA - Wednesday, February 16, 2000 at 21:03:47 (EST)

An addendum: the 800 # for E&O Mari/LaBella is 1-800-750-3034
ROSCOE
Austin, TX USA - Tuesday, February 08, 2000 at 16:38:59 (EST)

From RB, 2 Feb.'00: To ANDREW: Thanks for your glowing review of the sig V bass. It could practically be ad copy for Fender. 'Really glad you like the bass, it seems, as much as I do. 'Best to you, my friend. To KEN: Hey, thanks for the thanks! It is hard sometimes, to find the time... but it's an honor, and a pleasure also, to communicate with folks like yourself who are thoughtful and dedicated. To MALIK: 'Glad you found the videos useful. It was my goal in filming for them to be "utilitarian," if you will--simply educational. Thanks for your comments. Hello to BRUCE & EVAN!: What a great thing, a father-son practice duo! 'Sounds like Evan has serious interest: and at age 10 years... that's super! You've got the jump on us all, Evan -- I myself, never touched a bass until age 14, which is still earlier than most, I think, and you're in there workin' out sooner than that. My congrats, I hope you continue to enjoy music throughout your life. (By the way, Evan is the middle name of my young son, age 19 months. He likes drums and anything that looks remotely like a guitar or bass.) To PAUL: Greetings. Yes, I do use the LaBella Hard Rockin' Steels, on my 5's, and on all of my basses with roundwounds. I prefer to string through the bridge though. I don't know if LaBella makes a "super-long" string, but you can call E&O Mari at (914) 562-4400 to find out. By way of providing other info for you: if LaBella does not make extra-longs, I know that D'Addario does. Regarding the pickguard "shrinkage" problem: I haven't seen or heard of any specific instances of shrinkage on my bass V, but it's "too early" yet... I know it's been a problem with "tortoise" guards on older Fender basses. It takes years for the problem to show up. I first noticed the effect when I bought a sunburst'65 Jazz bass in the late 70's. The 'guard is on the bass and everything's fine--until you take it off. It then immediately begins to shrink; the only thing you can do is get it back on as soon as you can so that the screw holes of the guard continue to line up with the holes in the body. Nothing else you can do really; just don't take it off unless you really need to, and then, for as short a period as possible. It will be years before you might need a replacement, but hopefully Fender could provide a replacement at that time (or any good luthier could make you one.) To JOHNNY: Another ZETA brother eh? Cool. I use LaBellas on my ZETA also. Chromesteel/Flatwound/Rope Core-Double Bass Strings, set #7720M. They sound great, and last well. The number for LaBella/E&O Mari again is (914) 562-4400. All Best, until next, ROSCOE
ROSCOE
Austin, TX USA - Wednesday, February 02, 2000 at 13:24:54 (EST)

Hey Roscoe Nice website great five string bass too. I also play and own several vintage Fender jazz basses as well as a Zeta uprite. I do love to play this instrument alot and use it with slide virtuoso Paul Black and the Flip Kings. My problem is I can't seem to find a set of strings long enought to fit on the Zeta so as not to wrap the D and G strings around the string post and past the colored leader of the string ruining both strings. I try to use the three finger Normal Method Of measuring and cutting the string length. Can you help me ? What strings do you use on yours? Thanks
Johnny laws <zetaboy@netnet.net>
Green Bay, Wi. USA - Sunday, January 30, 2000 at 15:42:54 (EST)

As I browsed through all the comments in the forum, I noticed that you mentioned there's a "shrinkage problem" with tortoise shell guards. Could you please explain?? I have your signature 5 in a gorgeous sunburst w/ a tortoise shell guard. Are there any preventive measures I can take?? Thanks again!!!
Paul Ditkowski <bonbon@buffnet.net>
Derby, NY USA - Wednesday, January 26, 2000 at 20:36:17 (EST)

I bought your signature 5-string last April & just love it to death. One question though......... I want to run the strings through the body, but I'm having a tough time finding a set that's long enough. I know that you are a LaBella Hard Rockin' Steel endorser. Is that what you string-up with on your 5 ?? Please help me out with a word of advice. Thanks for being an inspiration!!!
Paul Ditkowski <bonbon@buffnet.net>
Derby, NY USA - Wednesday, January 26, 2000 at 18:29:03 (EST)

My son Evan, age 10, began playing bass this last year (Bronco Bass) in his school band. In order to encourage him to practice, I bought myself a Fender Jazz a few months ago (I never played before, so we're both learning); we practice together regularly. I also bought him Dale Titus' videos, where he got turned on to you, Roscoe. He began listening to my Eric Johnson tapes, and asked for your Beginning Blues Bass videos for Christmas, which he got. We also look for you in Bass Player. He likes the sound of the 5-string so much, he has used his own money to put a Fender Jazz V on layaway! Cool kid! Would you mind passing along some words of encouragement to Evan? We'd both appreciate it! Thanks for the great music, Roscoe!
Bruce Gravlin <bgravlin@aol.com>
Valley Center, CA USA - Sunday, January 23, 2000 at 18:16:34 (EST)

I am a working bass player in a blues band, and I bought one of your instructional tapes to get some ideas. I was delightfully surprised how you made the instructions so easy to follow. I got a lot of ideas from it; that was just the "Blues Bass" 1 and 2 tapes. A friend advised me to check out your "Blues Foundations" tape. I just want to say thanks for making the tape.
Malik Abdullah <maadman19@yahoo.com>
Chicago, IL USA - Friday, January 21, 2000 at 14:31:17 (EST)

Roscoe, just a quick note to thank you your *always* courteous replies to all of our postings. You must work hard to keep current with thi sist ein addition to your gigs, recording sessions, etc. and I just wanted to say we all appreciate your timely and thoughtful replies. We ams or semi-pros need the guidance you vets (no slur intended, I'm as old as you!) can provide. And--(Sammy take note)--I just lowered the PUs on my Jazz V about 3/32" on the bass side and the B sings without the nasty overtones!! Thanks so much!
Ken Robinson <kcrobin@hotmail.com>
Denver, Co USA - Tuesday, January 18, 2000 at 21:55:10 (EST)

Just wanted to say thanks for a fantastic bass. I'm a big fan of Jazz basses, but I just don't care for the Jazz V. When I played your bass for the first time at a NAMM show years ago ('95? '96?), I was hooked instantly. For me, if a solid-body electric bass doesn't sound good when it's NOT plugged in, no amplifier in the world is going to make it sound good. Even through all the NAMM show noise, I could tell it was a great instrument. Bolt-on neck. Passive electronics. I don't think there's a single thing I would change about the instrument. The only drag was that I had to wait a couple of years before one showed up in the local shop. But when that first one showed up, I bought it immediately. I used it in the studio for the first time this past Spring, and it recorded incredibly well. It's extremely even and the B-string sounds great. It's become my main fretted instrument. Thanks again.
Andrew McGowan <wordboy@mindspring.com>
Los Altos, CA USA - Tuesday, January 18, 2000 at 20:20:55 (EST)

From RB, 18 JAN, 2000: To KOS: Thanks for the thought bro'. A little rest wouldn't be a bad thing... The hammock in my back yard looks pretty good, and for right now, it will have to do. Last time I played golf (at the country club in Ojai, CA) I almost took out a condo window with my slice! Fore! To SERENA: Thanks for straightening me out on that concert. Yes, I remember the Los Lobos show in Portland, a good one for sure. Best to you, hope to see you next time in Portland. To SAMMY: Hey. Well, getting used to the 5-string takes some time and practice. The best way to get used to it? Play nothing but the 5-string. A tough way to go, but it works. But it's a good idea that I myself can't adhere to, because I still practice upright bass (4-string) more than the electric. Like any worthwhile endeavor, practice is really the only way to get to where you want to be. B-string sound?... That's the thing on my signature instrument that I worked the hardest on. The other Fender 5's have more magnetic pull from the pickups' alnicos than my sig V does, and I just don't think the B-string sounds as good on the other Fender 5's, no disrespect intended. One thing that would help would be to lower the pickups away from the strings, but if you're like me, you like them fairly close to the strings, so that's not an attractive option. You'll have to make the call there. The easiest fix: change to LaBella Hard Rockin Steel strings. Their .128 B-string is far and away the best sounding B-string I've heard. It won't solve all of your problems, but it should make a difference. 'Hope to see you in Chicago this year with Eric Johnson; by the way, feel free to cop any licks you want. That's how I learned... To MARCUS: Sorry bro', I'm not affiliated with the ROSSCO line and don't know anything about them. Sounds cool, though. Good luck with your hunt. To KEN: The "either/or" string-through-body -or- string-through-the-bridge set-up is an option on my sig bass. It came about during the experimental stage of my bass design period. I was interested in what the difference in the sound would be. Fender liked Mark Kendrick's realization of the idea and decided to offer it on several basses in their line. Subsequently, I decided the sound is tighter when strung through the bridge. I considered removing the "through-the-body" option from my bass, but decided to let each player decide for his or herself. I haven't tried a 2TEK, -too heavy for my taste, but I do like the GOTOH on my bass, even though it's heavier than I would like. As I just mentioned to Sammy, try the LaBellas. The B-string is the best. Cheers. To JOHN aka JohnnyDoubt: I was at NTSU '72 to '74. Guess I'm dating myself, eh? Anyway, for most of the time I was there, I was a classical guitar major, and a string bass secondary. I played guitar in a nine-piece R&B band, and also bass, whenever the regular bass player missed a gig. Eventually he left the band entirely and that was the end of my career as a performing guitarist. By then, I had decided I was really a bassist anyway, and my teacher at NTSU was very encouraging in that respect. Like most students there, I played clubs in Denton and Dallas, and I can only hope that any tapes of those shows have long since gone to ferric-oxide heaven! By the way, the bassist I took over from in that R&B band was a young fellow named Gerald Calhoun and man, was he a monster! He was one of my primary influences at that time; he and drummer Craig Green made an awesome rhythm section. The two of them didn't need other musicians, they were an orchestra unto themselves. I'd love to know where they are now... and lastly, no, Robben doesn't hate Texas, but for some reason the Blue Line never did catch on here to any great extent. During the time I lived in CA, it always baffled and disappointed me, that in Texas (and Austin in particular) we did not draw nearly as well as we did in other parts of the country. Them's the breaks, I guess. Be well y'all. Thanks for checking in.
ROSCOE
Austin, TX USA - Tuesday, January 18, 2000 at 11:11:54 (EST)

HI I'M LOOKING FOR ROSCOE'S LYRICS IN THE ROBBEN FORD "HANDFUL OF BLUES" ALBUM : THE SONG IS CALLED "THINK TWICE" , IT WAS COMPOSED BY ROSCOE. COULD YOU PLEASE SEND THE LYRICS TO ME ? THANKS A LOT. FM
Fred MARCEL <controle.qualite@marcel-industrie.com>
romans, france - Tuesday, January 18, 2000 at 04:07:32 (EST)

Hi Roscoe! I noticed in your Bio that you spent a couple of years in Denton at NTSU.. I was wondering if you had played any of the local clubs during that time. Denton is my hometown and I find it very cool that it is often blessed with great musical talent such as yourself. Anyway, I was fortunate enough to catch you with Eric Johnson at the Caravan Of Dreams a year or so back -- almost didn't recognize you with the new hair cut! I was lucky enough to be standing directly in front of you against the stage and witnessing first hand your unbelievable talent. I was Awestruck. By the way, that was a cool orange jacket! One more thing... Does Robben Ford hate Texas? I know Blue Line has been through here but I haven't seen any tour dates for Robbens solo work -- what's up? I figured you may know. Thanks John
John Bell <JohnnyDoubt@Yahoo.com>
Denton, TX USA - Tuesday, January 18, 2000 at 00:29:29 (EST)

Roscoe, like Sammy just said, I'm looking to get a tighter B sound from my Jazz V. I love the sound of the other strings and thought the fact that the strings go thru the body would help but it's pretty flabby. I am considering having a 2TEK bridge installed. Are there particular makes/guages of strings to try? Thanks a ton!
Ken Robinson <kcrobin@hotmail.com>
Denver, Co USA - Sunday, January 09, 2000 at 23:32:14 (EST)

I own a Rossco Icon Series. WIth a girl eating a rocket pop on the face of the guitar. I know they were a one of a kind. Would it be possible to get some info on it. By the wasy it is ONE of the BEST gutiars I've played in my life. I've own it aprox. 6-8 yrs. Can your send me some liturature on other guitars that you offer. Keep Rocking Marcus
Marcus Giordan <mak9091@cs.com>
hallandale, fl USA - Sunday, January 09, 2000 at 12:52:12 (EST)

I began playing bass in 1962, R&B/R&R/Pops/Stds. I played off and on for the next 15 years with some short stints going full time. I, for all purposes, quit for the next 23 years - military/bad marriage/etc. I started back about a year ago and I'm having the time of my life. I guess you could say it's my form of a second childhood. Anyway, here's my dilema. I'm not a bad bassist, not in your league, but not bad none the less. I primarily play three Fenders, MIM J, MIA P, and an MIA Dlx J-Fretless. To round it out, I bought a new MIA J-V. I'm having the devil of a time getting used to this thing. If I concentrate real hard, I can play it without too much effort. However, when I start to let my feelings go, close my eyes, really get into the music, and try to think about where I'm going next to enhance what's going on, it seems that I just lose it. This rarely happens on the 4-strings, but it happens a lot on the 5-string. What can I do to get myself more in tune with this bass? How can I become more as one with it? I know that given enough time this will most likely happen, but I'm wanting to wait a few years to do this. What exercises, practice, etc., can I do to excellerate this process? Any advice would be most appreciated and, I might add, used. By the way Mr Beck, I do greatly admire your prowess on the bass. I guess you could say that you are one of my Bass Heroes. Your little trio has been a large impetus to me to broaden my horizons and get out of the C&W mode that I have been in for a long time now. Not just playing (I play rhythm guitar and try to sing as well), but in my listening. Thanks! Three of us are pulling out of our current band, forming a new one, and will add another guitar. This band will be an even mix of C&W and Blues, with a little of the softer and older Rock tossed in, you know the stuff that fits with C&W and Blues. I hope you don't mind if I cop a few of your licks, they do sound so nice. One other question. Short of buying one of your SIG basses, what can I do to this J-V to get a better sound out of the "B" string? It sounds so muddy in comparison to the others. To date I have changed the strings to D'Addario Half-Rounds (I've always been a flatwound nut) and played with the pup, bridge, and neck adjustment. It's a little better than new, but nothing you'd want to write home about. Maybe, if I can get this thing to work for me, I'll just break-down and get one of your SIGs. Thanks for giving an old, rejuventated bass player a chance to profit from your talent. I look forward to hearing from you. Keep Thumpin'! Sammy! P.S. When are you, Robben Ford, and Tom Brechtlein coming to the Chicago area? I'd really enjoy getting a chance to see you in person.
Sammy <sammy@owc.net>
Crystal Lake, IL USA - Sunday, January 09, 2000 at 12:51:11 (EST)

Roscoe- The Zoo concert was not the one with Los Lobos. The one with Los Lobos was the year before in the Rose Garden. It was an especially memorable and enchanting evening for me. Life in Portland could not be better! Please come visit us soon.
Serena Morones (Skeels) <smorones@earthlink.net>
Portland, OR USA - Wednesday, January 05, 2000 at 17:43:39 (EST)

Roscoe: it was a festival date - and bring your golf clubs and/or fishing pole! You've earned a little R-R! Kos P.S. Best wishes for the New Year from my family to yours...
Gary "Kos" Kosikowski <gkosikow@oregonsbest.com>
Woodburn, OR USA - Thursday, December 30, 1999 at 22:50:11 (EST)

TO ALL: BEST WISHES in the year 2000! To LUCA: Hello again. Sorry, I have no current plans to visit Italy, but I'm sure I'll be back soon. Thanks for visiting the site. All best... To "KOS": The Portland Zoo Concert... was that the one with Los Lobos? ...or was it a festival date? I remember both shows, but I'm a little uncertain which is the one you mentioned...Anyway, I'll let you know when I'm headed to the Northwest again. A clinic is a distinct possiblity for Y2K. Thanks for inquiring. To HAL: Hello. Glad you're enjoying your "Teal." I just recently checked one out right off of the production line... I'm very pleased with the quality I've been seeing. Many friends have given very positive feedback about the bass... thanks for yours. 'Hope to see you in Atlanta, GA soon. To JIM: CONTACT! Thanks for the nice compliment. Talk to you soon. To "RADAPAW": I'll check out your website... and see what's up. Thanks.
ROSCOE
Austin, TX USA - Tuesday, December 28, 1999 at 18:10:39 (EST)

Roscoe, I don't suppose you'd like to join my Imaginary Bass Players Union would you? Some high profile players could really help the site get going. Thanks http://members.home.net/radapaw/bass.htm
Radapaw <radapaw@home.com>
Ottawa, ON CA - Thursday, December 23, 1999 at 13:14:29 (EST)

Roscoe, I don't suppose you'd like to join my Imaginary youBass Players Unionwould ? Some high profile players could really help the site get going. Thanks http://members.home.net/radapaw/bass.htm
Radapaw <radapaw@home.com>
Ottawa, ON CA - Thursday, December 23, 1999 at 13:14:06 (EST)

Hi Roscoe, Please contact me whenever you have a chance. You sound great! I hope to hear from you in the near future. Thanks, JIM
JIM <jallford@nb.net>
DUDLEY, PA USA - Sunday, December 19, 1999 at 11:15:45 (EST)

Hi Roscoe! I have a teal green Sig V, and it always gets great comments when I play it on gigs, "Cool bass, sounds great, etc." Any word on a Sig VI? Also, any plans to come back to the Atlanta area? Missed seeing you at this past Music Midtown Festival, it just wasn't as cool as it was the previous 2 years, one with RF, and one with EJ. I'll catch you somewhere down the road! Hal Mahan
Hal Mahan <loudisgood@webtv.net>
atlanta, ga USA - Thursday, December 16, 1999 at 12:50:15 (EST)

Caught you a few years back at the Portland Zoo - GREAT concert! You were kind enough to sign my 'ol brown fedora...will be back the the great Northwest anytime soon?? possibly a clinic??? Thanks in advance, Kos
Gary "Kos" Kosikowski <gkosikow@oregonsbest.com>
Woodburn, OR USA - Wednesday, December 15, 1999 at 22:58:20 (EST)

Ciao Roscoe. Thanks a lot for your answer. I can't believe "I've talked" with you!!! YES I know what you mean! I also own a '78 Jazz Bass... Any chance to see you soon in Italy? Have a nice one, Roscoe. CIAO!!!!
Luca <bassplayer@libero.it>
MILAN, ITALY - Tuesday, December 14, 1999 at 14:28:20 (EST)

Hello from ROSCOE 13 December 1999. To PETER NOVA: Thanks for the nice compliment on tone and for the tip about Nico Assumpcao. I looked in my 1-800-EveryCD catalog for the artist Ricardo Silveira, but to my surprise, could not find him listed there. ‘Guess I’ll have to check around the world music section of local record stores - or the internet. I’ll keep looking, thanks again. To BRIAN @sonicboom: I had a good laugh over your comment about the muddy 7-string. Yeah, you know I check out quite a few basses and sometimes they’re good and other times...one wonders if the people who make them are musicians at all. To be fair though, it’s hard to get good pickups for multi-string basses. I had a heck of a time getting the pickups right on my 5-string. Until I met Bill Lawrence, it just wasn’t happening. I plan to ask Bill to make some six-string pickups soon, using the same parts used on the five - even the covers. The exposed pole pieces should line up just fine. Have fun on the high five... To MAT: Thanks for checking in. I was at the Jazz Cafe in London with Robben in July. My basses were MIA at the time (lost by the airlines, but later recovered.) FENDER/London was kind enough to supply me with a brand spanking new signature five. It’s not easy to jump out and play fearlessly on any bass right out of the box, but I had a great time anyway. See you next time. To ROBERT: Sorry I missed you in Portland, but I bet you caught a great show. Jimmy Earl is one fine bass player; one of my new favorites. I thought he played wonderfully on Robben’s new record, and a few years back, Tom Brechtlein played me some things he did with Chick Corea... I was impressed enough to want to go home and practice, I’ll tell you that! To DANIEL: Hi. Yes, I have a Sadowsky 5-string that I bought before my Fender was designed. Because the Sadowsky is (really) a strictly active instrument, it has a different sound than my sig V. It’s a very good bass and is often useful in the studio. It’s the 24 fret model with EMG’s. It came with Sadowsky strings, which are really, ta-da...LA BELLA Hard Rockin’ Steels. For Roger S., they use a different color silk wrap on the ends (gray, last time I saw, as opposed to La Bella’s black), but they’re the same identical string. To LEN: Yeah, I guess the cat’s out of the bag on the “high five.” I expect we’ll see more and more people playing them as time goes by. I really do feel most times, that the five-string is more useful that way, but I’ve put in so many hours on the low-tuned 5... I tried the “high five” on stage with Robben a few years ago; boy, was I struggling! In a relaxed studio environment, or at home - no problem, but if you play ‘em both ways... it can get confusing! ‘Good luck in the upper reaches, ‘hope I get to hear you play it sometime. Hey JESSE: I’m glad to hear you’re happy with the bass. I get the opportunity from time-to-time to check one out, straight from the factory. I’ve always been pleased. Some are set up well, some not; but after some personal adjustments, I’ve always found them to be quality crafted. There won’t be any more Sunburst w/ Tortoise guards made, so hang on to it! Hi MARIANO: At the time we recorded “Handful Of Blues” my signature instrument was in development, but not completed. For the low-tuned songs, I think I used either my Michael Stevens six-string, or the Sadowsky just mentioned above. A very rough mock-up Fender was made playable just before we finished, and I think I used that, on the track “Running Out On Me.” I later regretted rushing into it though, as it wasn’t the ultimate production instrument (the pickups, bridge, controls, and even fret size changed in the months following) and I didn’t even have time to set it up properly before recording with it - a mistake. If you listen carefully, you might hear the strings striking the magnets on the pickups. That bugged me later when I heard the mixes. I might have fixed that problem, and used it on another tune, but I can’t be certain. You can see me playing that scrapped (and unpainted) prototype on the BEGINNING BLUES BASS videos. It was all a part of development through trial and error. A better representation of the finished bass can be found on Robben’s “Authorized Bootleg” and Eric Johnson’s “Venus Isle” (“When the Sun Meets the Sky”) There’s lots of information on the sig V bass at this website under “gear.” Go to : To answer your other question: Michael Tobias is a fine craftsman/instrument builder and a friend. Though his basses aren’t exactly right for my style of playing, I did play a custom hand-built Michael Tobias Bass for a short time before my signature model was developed. I’ve never played a Gibson/Tobias so I wouldn’t know anything about them. If your local music dealer doesn’t have a RB Sig 5-string, check out Musician’s Friend on the web at They have a pretty good price on it. To TICE: Thanks for checking in, and for the tip. I’ll have a look-see, as they say around these parts... DICK & NANCY: Much love to you! To LUCA in Italy: Thank you for giving me the opportunity to share with you. It’s gratifying to know that others might gain something from any efforts I’ve made. And hey, Music Man’s are good, I know. I’ve never owned one, but I’ve always kinda wanted to check out a Leo Fender/Music Man. I’m just a big Leo Fender fan, if you know what I mean... Wow, I’m really long-winded today... gotta go...time to ‘shed!
Roscoe
Austin, TX USA - Monday, December 13, 1999 at 15:23:23 (EST)

Hi Roscoe. I've got all Robben Ford and The Blue Line albums and your Blues Foundation video. Well, all I can say is that your are really a great bass player. You inspired my playing the blues. So, thank a lot, Roscoe. (Anyway I still love to play Music Man Stingray 5.....I'm sorry). Have a nice one. Ciao from Italy!!!
Luca <bassplayer@libero.it>
MILAN, I ITALY - Thursday, December 09, 1999 at 14:32:55 (EST)

Hey man! Cool site. See ya soon!
Dick & Nancy <bureson@netcomsa.com>
USA - Friday, December 03, 1999 at 08:37:00 (EST)

Hello, I thought I would turn you on to a great site to host your music online. Its called muXic.com, this site has it all, they offer more than 50 services to choose from to promote your music. Check it out!!! Tice
Tice Child <tchild@hotmail.com>
Seattle, WA USA - Thursday, December 02, 1999 at 16:28:56 (EST)

Hey Roscoe! First I'd like to say that I heard the "A handful of Blues" album a few days ago and I was wondering, what are the tracks you use your signature model (5 strings)? Is that model easy to find? How could I get more information on it? I also would like to know what you think about Tobias basses. Thanks a lot!!! Mariano from Brazil.
Mariano <mariano@mx.petronline.com.br>
Petrópolis, RJ Brazil - Tuesday, November 23, 1999 at 21:24:45 (EST)

hEY i GOT ONE OF YOUR basses, the first one i saw its one of the sunburst w/tortis pickguard.I think its greatIve also got a warrior 4string.My biggest problem has been which one to take to church to play. anyway Ithink your a heck of a musican and insturment desighner
jesse hemphill <dhemphill@farmerstel.com>
Geraldine , AL USA - Tuesday, November 23, 1999 at 11:39:25 (EST)

Oh No! This month in Bass Player magazine Roscoe leaked the sectret of the "high five" bass to the world (a five string with a high C string instead of a low B)! I recently started using this configuration to play jazz melodies from the treble clef between the 12th to 16th frets instead of the 17th-20th frets. This is much more comfortable to play, and easier to tune if going fretless. Thanks to Roscoe for his columns, music and signature basses!
Len Orban <lborban@pol.net>
Bradenton, fl USA - Monday, November 22, 1999 at 17:01:44 (EST)

Hey, Thanks for the inspiring music Roscoe. I read somewhere that you have used a Sadowsky 5 string. What strings did it have on it?
Daniel Price <daniel.price@tinker.af.mil>
Edmond, ok USA - Saturday, November 20, 1999 at 10:41:59 (EST)

Caught the Robben Ford show at the Alladin Theater last month and was disappointed not to hear you. However little Jimmy Earl seems to be coming along quite promisingly on the bass. Thanks for the continuing inspiration.
Robert Busey <Lowbrob@aol.com>
Portland, OR USA - Monday, November 15, 1999 at 14:44:47 (EST)

keep up the good work and look forward to seeing you soon here in london
mat beable
london, england - Friday, November 12, 1999 at 15:26:01 (EST)

I'm with you on the high 5 string thing. Much cooler chording and arpeggiation is available this way. Another string lower has use, but not as much to me. I recently played a 7 string bass at a store, my first thought was a bit of curiosity over who would want the mud that thing churns out.
Brian <bri@sonicboom.org>
Oceanside, CA USA - Tuesday, November 09, 1999 at 20:03:17 (EST)

Read your article on Bass Player. There is a great Brazillian bassist called Nico Assumpcao who has been playing 5 string basses with a high C. His chops and groove are UNbelievable. You will find him on Ricardo Silveira albums. Love your tone. Peter.
Peter Nova <pnova@tricom.net>
Santo Domingo, Dominican Republic - Tuesday, November 09, 1999 at 04:33:46 (EST)

Dear Roscoe, I hope you got my previous email requesting a photgraph for a bass method book we are publishing. I neglected to give you our phone number which is: (860)567-1020 ext. 102. Please call if you have any questions. Thanks, Joe Bouchard at Workshop Arts
Joe Bouchard <gunod@aol.com>
Litchfield, CT USA - Monday, November 08, 1999 at 16:12:06 (EST)

Dear Roscoe, Hi. I am writing this email in request for a photograph. I work for a publishing company called Workshop Arts and we are the publishing arm on the National Guitar Workshop. We are doing a 3 vol. Bass Guitar Method and we would like to include your photo in the book. Email us back if that is okay and let us know where we might get a photo. A good high res. jpeg would probably work. Thanks is advance, Joe
Joe Bouchard <Gunod@aol.com>
Litchfield, CT USA - Monday, November 08, 1999 at 09:26:06 (EST)

First off, a message to the infamous LEE JACKSON, who no longer builds amps OR pedal boards (don't ask!), but reluctantly teaches digital editing in S.F., CA. Hey Lee, did I forget to mention that California has earthquakes? Oops, guess that just slipped my mind... To BILL and other interested parties: I do teach privately on a limited basis; if you're a seriously-minded player and in the Austin area, feel free to leave a message here re: lessons... SVENNI and GITTE, Hi again. 'Enjoyed seeing you in Denmark this summer; but tell me, what's with all these women at the festival walking around in brassieres? (Note to Americans: is this a new European fashion trend?) Hello MICHAEL; Yeah, thanks, 'glad you're enjoying the instructional video and finding some things you can use too...CHORDS is what the two-handed approach is really all about - expanded harmonic knowledge. Whether one plays two-handed or not, there's much to be gained from chord (and arpeggio) study. And yes, I have played the Giant Steps changes two-handed. Fun, eh? Hi XIME; greetings to you and our far-southern friends. 'See you sometime in the states? To KEN: Thanks, glad you liked the column on "Why 5?" Do I play 6-string? Well, yeah, before I ever played the 5, actually. (The home page photo has my original Stevens 6-string pictured, -built in 1984.) I still have my STEVENS 6-string #2, it just doesn't see as much action since FENDER came out with my signature 5. But I played the STEVENS through the 80's and 90's for much of my recording work with Robben Ford and Eric Johnson on sides like TALK TO YOUR DAUGHTER, ROBBEN FORD AND THE BLUE LINE, MYSTIC MILE, TONES, and AH VIA MUSICOM. (I didn't even own a five-string until the mid-nineties: I went straight from 4 to 6 in '84...) So have fun - practice suggestion: try comping some chord charts (like Real Book changes or something) on your contra 6. And try using inversions without roots...Wow, there's something that would keep us busy for a few years!
ROSCOE
AUSTIN, TX USA - Friday, November 05, 1999 at 10:57:56 (EST)

Hey Roscoe! Is the CD of your jazz band released? I would like to get A copy. Love to you, Marita and Charlie. Grégoire is gonna be the next Pavarotti, He's practicing everyday now, a lot of vocalize (singing exercise). He must have 3 or 4 octaves I think!
christophe madrona <christophe.madrona@cegetel.fr>
paris, France - Friday, November 05, 1999 at 10:12:38 (EST)

Roscoe, Liked your article "Why 5?" in BP. I started playing 5 instead of 4 last year and really dig it. But I recently switched to a contra 6. I can have the low B and the high C in one package! It took some getting used to, but it is really a great way to go! Have you checked the contra 6 out? What do you think? PS - dig your work with Robben...
Ken Robinson <kcrobin@uswest.net>
Denver, Co USA - Thursday, November 04, 1999 at 20:07:15 (EST)

HI ROSCOE, THIS IS XIMENA, CHRISTOPHE DID NOT KNOW YOUR EMAIL ADDRESS SO I,M WRITING THROUGH YOUR WEB SITE. TRY WRITING TO MY EMAIL. HOPE YOU ARE DOING GREAT. GOOD VIBES, XIME
XIMENA QUIJANO <ximena_quijano@leoburnett.com.ar>
BUENOS AIRES, ARGENTINA - Thursday, November 04, 1999 at 08:30:58 (EST)

HI ROSCOE, THIS IS XIMENA, CHRISTOPHE DID NOT KNOW YOUR EMAIL ADDRESS SO I,M WRITING THROUGH YOUR WEB SITE. TRY WRITING TO MY EMAIL. HOPE YOU ARE DOING GREAT. LOVE, XIME
XIMENA QUIJANO <ximena_quijano@leoburnett.com.ar>
BUENOS AIRES, ARGENTINA - Thursday, November 04, 1999 at 08:27:11 (EST)

HI ROSCOE, THIS IS XIMENA, CHRISTOPHE DID NOT KNOW YOUR EMAIL ADDRESS SO I,M WRITING THROUGH YOUR WEB SITE. TRY WRITING TO MY EMAIL. HOPE YOU ARE DOING GREAT LOVE, XIME
XIMENA QUIJANO <ximena_quijano@leoburnett.com.ar>
BUENOS AIRES, ARGENTINA - Thursday, November 04, 1999 at 08:26:24 (EST)

Hey Rosco! Nice web site! One of the guitarists in the band I play with turned me on to a recording of "Cut me to the Bone" with Robben Ford, and I was blown away. I purchased your video, and have been working with the "technique" for about 8 months (I don't have time to practice like I would like to!). I'm not good enough to use it on gigs yet, but it's comming. The amazing thing is that it expanded my concepts about playing, so that now I hear music differently than before. I listen a lot more to what the keyboard player is doing. I listen with the thought, "how can I play that?" when listening to everything now. I use it on all types of music, not just the blues. I gained a greater appreciation of the late John Coletrane when trying to play "Giant Steps" (try it!) Thanks for the inspiration! Maybe we'll meet some day. If you're ever in L.A., look up the National Blues Band. We play at DB Coopers, The Monsoon Cafe, The Muse, and occasionally at Harvelles (when we can get a weekend - Thursdays suck!). Michael James
michael james <mjames@access1.com>
ontario, ca USA - Tuesday, November 02, 1999 at 02:16:47 (EST)

Hey Rosco! Nice web site! One of the guitarists in the band I play with turned me on to a recording of "Cut me to the Bone" with Robben Ford, and I was blown away. I purchased your video, and have been working with the "technique" for about 8 months (I don't have time to practice like I would like to!). I'm not good enough to use it on gigs yet, but it's comming. The amazing thing is that it expanded my concepts about playing, so that now I hear music differently than before. I listen a lot more to what the keyboard player is doing. I listen with the thought, "how can I play that?" when listening to everything now. I use it on all types of music, not just the blues. I gained a greater appreciation of the late John Coletrane when trying to play "Giant Steps" (try it!) Thanks for the inspiration! Maybe we'll meet some day. If you're ever in L.A. up the National Blues Band. We play at DB Coopers, The Monsoon Cafe, The Muse, and occasionally at Harvelles (when we can get a weekend - Thursdays suck!). Michael James
michael james <mjames@access1.com>
ontario, ca USA - Tuesday, November 02, 1999 at 02:15:39 (EST)

Hey ! Roscoe, Love from Gitte & Svenni. Right now we´re in the new Royal Danish Library, called the "Black Diamond". We found your great homepage and thought we´d better say hello! We are going out for a dinner and to see the movie called "Bueno vista social club". Hope to see you soon. bye bye.
Svenni & Gitte
Copenhagen, Denmark - Saturday, October 30, 1999 at 12:34:01 (EDT)

Roscoe, I recently moved from the Bay Area to Austin. I studied under Glen Letsch for 3 years. I was wondering if you teach or if you could recommend someone in Austin. Best regards,Bill
Bill Housley <BJHFAM@aol.com,BJHFAM1@aol.com>
Austin, TX USA - Friday, October 29, 1999 at 10:42:31 (EDT)

You are my sunshine........
Lee Jackson <imix4u@hotmail.com>
S.F, Ca USA - Thursday, October 21, 1999 at 21:30:01 (EDT)

To LAURENT: Hi. Yes, I remember meeting you and of course, Thierry and the BASS MAGAZINE interview we did in Paris. Thanks for the hello and also for the CD, which I enjoyed listening to. See you hopefully, next time in Paris and give my best to Thierry. To JIM: Hello to you and my old pal Cody. re: practicing; my advice to you (whether or not you have much time) is to learn your fingerboard. The better you know your "board," the better you'll be able to improvise lines, figures, etc. One of the best ways I've yet found to do it: practice SLOWLY (with a metronome) preferably on things you don't yet know (or don't know well.) A suggestion would be: work on two-octave arpeggiated triads. Here's the key though: call out the names of the triads (everytime) as you play them. Example: play ascending notes E-G#-B-E-G#-B-E the descend E-B-G#-E-B-G#-E while saying out loud "E-G#-B," move up a fourth (to the key of A) and do the same thing, and so on. It's a great exercise to learn where your notes are. This will certainly be given in more detail in my BASS PLAYER column at a later time. But do try to find for yourself, as much time as possible. that's the only way to notably advance your playing. There's probably a TV show you could give up... good luck, see you in East Texas. To BERNIE: Hello again. It's true; as a FENDER artist/endorser I have final choice on colors, options etc. on my bass, but the choices have some restrictions. Signature artists are limited to four color choices only: I picked what were favorites at the time we developed the instrument. I've since had a custom RB IV prototype built that's in transparent red, and I do think it looks great (plays great too.) Perhaps at some point, FENDER will allow me to change the available colors; I think I would add a transparent... but until then, the Custom Shop is your only option for other finishes. There's onlu one pickguard offered now and that's a "green guard," the vintage-off-white-looking one. The sunburst RB V originally came with a "tortoise" guard, but the usual shrinkage problems occurred and FENDER asked if it would be OK to drop it. I thought the bass looked fine with the "green guard," and so we did. The case offered will soon change to a plush-lined early 60's style.
ROSCOE
AUSTIN, TX USA - Thursday, October 21, 1999 at 13:42:02 (EDT)

Over on the FDP the finnish options/Pic guards on your RB5 came up.One of the guys from Fender said you have final say as to whats offered.I like the transparent colors offered on their American Deluxe basses.Any chance you could get them made available?Ive not yet seen the gold or teal colors other than in magazine pics so maybe they'll have more appeal to me in person but still it would be nice to have a wider selection.Good luck!
Bernie Pawlak <LONGBOWBE@aol.com>
Port Leyden, NY USA - Thursday, October 21, 1999 at 11:41:42 (EDT)

Hey Roscoe, I am the Bassist for Robert St. John with your friend Cody Pappas. I am trying to improve my playing but have little time to practice lately. We do mostly soul and rock and I was wondering how you think my limited practice time would be spent. Also I hope you will come out to see the band at Park Place some time when you are in. Thanks
Jim Sparks <csparks@cableone.net>
Texarkana, TX USA - Wednesday, October 20, 1999 at 17:27:14 (EDT)

Hi Roscoe, I'm the guy (Sue at Prodigy's neighbor) you talked to on the phone right before you were heading out for the one-month european tour recently with Robben. Hope it went well for you. Sorry it's taken me a while to get back in touch. This is a great website! Very well thought out and executed. I LOVE the part about "not even wanting to know" about the polarity correctness of your George L's pedal board cables! Anyways, if you don't mind, I'd like to give you a shout later this week and maybe we could meet for lunch or something. As you may recall, my wife and I have got 2 little guys (2&5) and I am a "big fan" :^) of Eric and Robben's. Oh, and by the way, sorry to hear about your Dad, hope everyone in your family is doing well. Enjoy the cool weather while you/we can! Mac Pfeiffer
Mac Pfeiffer <mac@teamdev.com>
Austin, TX USA - Monday, October 18, 1999 at 13:21:02 (EDT)

Hi Roscoe, we met one time, I was with Thierry, the guy from "Bass Magazine" for your interview in Paris in 96 (?). My name is Laurent, I am a bass player too and I gave you one CD of my band "Coketale". I just wanted to say hello to you, I hope you're doing well, when do you come next time to Paris? Please let me know, I would relly like to see you again, take care, friendly, Laurent Cokelaere http://www.1212.com/a/cokelaere/laurent.html
Laurent Cokelaere <lacoke@club-internet.fr>
Paris, France - Monday, October 18, 1999 at 04:17:32 (EDT)

To BERNIE: Dang, man. You stay up late! Well, I wish I could tell you that there are plans to go ahead with an RB sig. IV, but at present there aren't any. FENDER has, at my request, built two prototypes I am now using, but so far, that's about it. The basses are fantastic though, and I feel it would be a great addition to the FENDER line, so who knows? Anyway, it's an idea I intend to pursue with my friends there. In the meantime, you might just want to find yourself a good Jazz bass... maybe a 22-fret model. Jazz basses seems to hold their value very well, so even if you sold it in a few years to buy an RB IV (!?) you probably wouldn't lose money. The five-string's a bigger bite to chew for sure, but I find it ideal to have both four and five! Good luck, keep in touch and if anything changes you can certainly find out about it here. To JOHN: Thanks for asking... I have no plans currently for work with Robben this year, but that could always change. The Iron Horse I remember well. We (RF & the BL) played our second-ever trio gig there in 1990: Tom Brechtlein remembers watching me frantically trying to work out two-handed comps for Robben's solos during sound check. I also remember Northampton because as we were driving into town for that gig, someone threw a large rock or brick at our windsheild from an overpass. ' Scared the livin' you-know-what out of us. Brechtlein, never at a loss for words shouted, "Welcome to Northampton!" (It's been friendly ever since) Sorry, I'll miss this one, but you know it's bound to be a good show no matter who's there...
ROSCOE
Austin, TX USA - Monday, October 11, 1999 at 15:36:16 (EDT)

Hello Roscoe!I tried your sig bass at adealer a few weeks back.Even through a cheezy little amp it sounded better than anything else i tried and had lots of bottom.About a week later i went back and retried the basses through a Sunn 300T with their 4x10.Nice amp but unfortunately for me the RB had been sold.While i loved the tones your bass puts out i felt totaly lost on the neck.This was my first time on a 5 string.Im pretty sure in time i could adapt to it but for me thats an expensive gamble.I live in a very rural area and would have difficulty selling it if it didnt work out.Are there any plans to go ahead with the 4 string version?Over at the Fender forum this has come up from time to time and there seems to be quite a bit of interest in it.Im certain it would sell big time.
Bernie Pawlak <LONGBOWBE@aol.com>
Port Leyden, NY USA - Monday, October 11, 1999 at 10:43:53 (EDT)

Roscoe-What a cool website!I just have a quick question-Are you touring with Robben Ford through the fall?I believe he's playing at the Iron Horse Music Hall in Northampton,Massachusetts some time in early November and I'm definetely going if you're going to be there.Thanks! -John O'Boyle
John M. O'Boyle <oboylebass@aol.com>
Easthampton, MA USA - Monday, October 11, 1999 at 02:42:41 (EDT)

Hey Roscoe, Hope the trip to G&Gs was well endured. Hows the fandamily? I can't wait to hear the material you have been working on in the last few months. I loaned your bass videos to a friend, who is greatly benefitting from them. Keep on groovin' and remember, I am the pimp in the box, pimpin' all that is righteous and good. Your bro, Brian
Brian Bureson <noserub@adnc.com>
San Diego, CA USA - Friday, October 08, 1999 at 13:32:10 (EDT)

Hey, there Roscoe... Wondering when you'll be in the neighborhood again. Been hearing smatterings about the what's going on, but it'd be nice to see you if you're up on the east coast in the near future.

Give me a shout back when you get a chance. Talk to you soon...
Matt O'Reilly <matt@moreilly.com>
Bristol, CT USA - Saturday, September 25, 1999 at 22:23:24 (EDT)

Response from RB 25 Sept '99-- To EVERETT: Hello, friend. 'Glad that old green has found his place in the sun (as well as on my front page..) You might want to hit a lick or two of "Talk To Your Daughter" every now and then just to help it remember where it all started. Dwee-deet... To CHRISTOPHE: I've met Bill F. a couple of times, but I'd sure be surprised... 'LOVE his music...best to your family, 'talk to you soon. To LEE, Bro', they don't make 'em any bigger than you. That's all I can say. To OSCAR: Thanks for your kind words and good wishes. If that bass is meant to come back, it will. I no longer really expect that, but thanks just the same for putting the thought out there. I will have some photos printed and be in touch later. Please leave your address at this site. To KENT: Thanks! Well, after quite a bit of experimentation, I found that I prefer the sound of the bass with strings loaded through the bridge. I use (and endorse) LaBella Hard Rockin' Steels and I personally recommend them on the sig. bass V. The B-string is absolutely the best I've heard. However, I formerly endorsed D'Addario, and they make great product too. They do make strings in extra-long, and used to occassionally make some special order extra, extra longs for my 35" scale string-through-body six-string. You might try the packaged variety extra-longs, I think they would be long enough, and they are non-tapered. To BOB P.: Congratulations! 'Hope you have a good time with your new bass. I wish you lots of good notes (tastefully applied, of course...)
Roscoe
Austin, TX - Saturday, September 25, 1999 at 13:05:35 (EDT)

Roscoe - I just purchased your Fender sig bass - it's an incredible bass! We're looking forward to catching one of your performances soon.
Bob Peirce <bpeirce@dangertones.com>
Crofton, MD USA - Monday, September 20, 1999 at 14:54:27 (EDT)

roscoe, GREAAT!!! web page man !!! Its about time to. Question? Do you have trouble finding strings long enough to run thru the body on your signature 5 string. I've been having trouble locating the right string that doesn't taper to quickly at the nut when run thru the body. I ended up using Labella HR steels, but would like to use a nickel D"Addario. any suggestions? Kent glasby, long time fan.......Dallas, TX.
kent glasby <kentg@flash.net>
dallas, tx USA - Tuesday, September 14, 1999 at 23:33:28 (EDT)

HEY Roscoe, Ilove your bass playing and pray you find your bass.Who ever has it please return it. Because it belongs in one mans hand and thats Roscoe Beck. PS I would love a autographed picture of you if possible love and respect Oscar Tablada
Oscar tablada <xxxmrgone@aol.com>
S.F, CAL USA - Thursday, September 09, 1999 at 00:00:53 (EDT)

Roscoe......Your my Hero
Lee Jackson <info@leejackson.com>
Austi, TX USA - Wednesday, September 08, 1999 at 23:03:12 (EDT)

Dear Roscoe, Steve Ruff here, wanted to inquire about your interest, rates and availability with regard to session work in Austin. We (Sound to Image) are opening a new audio suite at 501 Studios on E. 6th, September 9th. Our intention is to concentrate on sound to picture type applications for ad agency work. We will however, need talent occasionally which is why I am writing you. Our suite is a digital, 24 track, ProTools setup with surround sound we are linked to 501's video facilities in house. The room was designed by Mark Genfan (Tequila Mockingbird). We would very much like to include you on our talent list for future projects. Please E-mail us if you would be interested in working with us. Thanks for your consideration. We can be reached at (512) 485-3181. Please feel free to come by our facility anytime. We are in suite 107 at 501 Studios E. 6th. Regards, S. Ruff
Steve Ruff <SoundtoImage@PDQ.Net>
Houston, TX USA - Wednesday, September 01, 1999 at 23:40:31 (EDT)

What color '69 conv. ? a/c ?
Norris & Goose <ViperGTS@webtv.net>
Atlanta, tx USA - Wednesday, September 01, 1999 at 20:33:37 (EDT)

hi roscoe. there is a song who's title is: 'roscoe' on the last bill frisell's album. maybe it's about you, i don't kno w...?
christophe madrona
paris, france - Tuesday, August 31, 1999 at 13:58:20 (EDT)

Hey Roscoe, How goes it? I see that Robben will be in SD for the "Steet Scene", it definitely will not be the same, as I have only scene Robben play with the original Blue Line. Hope you are doing well bro. What projects are you working on? Marita told me that you did a show on the air, how was that? You tell Chaz that his uncle loves him. Your bro, Brian
Brian Bureson <noserub@adnc.com>
San Diego, Ca USA - Friday, August 27, 1999 at 13:06:06 (EDT)

Hey Roscoe,Cool site. Lots of info. Me & Old Green are basking in the Florida Sun. I will be showing him off at The second annual Pensacola Guitar Show on Sept. 11& 12. Hope things are well with you and the family. Give a holler if you want, or come see us if you're in the neighborhood. Keep'em Flying! Everett
Everett Bradshaw <ebradshaw@powerh.net>
Gulf Breeze, Fl USA - Wednesday, August 25, 1999 at 16:52:02 (EDT)

Cool Web site, Roscoe. I left you a message via voicemail at the end of July, but I see you were busy. My heartfelt condolences about your Dad-I had to go through that 6 years ago and it's a hard thing to bear. Drop me an e-mail and let's catch up. Peace, Roy
Roy Vogt <roysterbass@prodigy.net>
Nashille, TN USA - Wednesday, August 25, 1999 at 09:02:48 (EDT)

Roscoe, I really missed seeing you in Kristianstad. It´s been ages..... So sorry to hear about your father. Love Nikki
Nikki <annette.strandberg@swipnet.se>
Sweden - Monday, August 23, 1999 at 00:44:00 (EDT)

Hello, all. 'Thought I'd fall by today and see who's talking. My Mac is crashing any time I try to do anything, so I'm using borrowed hardware. If I'm out of touch in the immediate future, it's only because my 'puter is going to see the McDoctor. So this is high tech? To BRUCE (BRK), re: EJ's record; 8 songs finished so far. Now that I'm back from Robben's tour, we should do some new recording soon, and tour after the new record's release. When? Hmm... the $64K question... Hi MARY! Thanks for your message. My best to Steve and Shaun; tell that LAWMAN hello if you speak to him! HEY JOE from Taiwan! Glad you like what you see. You can try ordering the bass from Musician's Friend online at www.musiciansfriend.com. Good luck! 'Hope you find one. To ANNE and JEN: hello. 'Glad you like the site. There are no tour dates scheduled at the moment; it all kind of hinges right now on the progress of EJ's sessions, but as soon as we're ready to hit the road, I'll list the dates here on the tours/news page. See ya. CHRISTOPHE, my man. Bonjour Morgane and little Gregoire, my French family! 'Great to see you in London and Birmingham; wonderful to meet the new "Madrona junior.", little Charlie's future continental playmate. Talk to you soon. Love from Tejas. To CHRIS: Yeah, I've got a very nice 4-string proto of the signature model, and I love it. It was built in the custom shop by Todd Krause and is, unfortunately, not currently available. I think it's the best "four" I've ever played, 'best for my needs anyway; I sure hope that Fender takes notice of it. My advice: call them and ask if they're thinking about producing it. Maybe if enough people ask... Hey MATT! 'It's been awhile. 'Glad to hear all's well with you and Tammi. "Hope to talk with you soon, like when my computer is working again... To TRISH: Thanks for the tip, BLUESVILLE sounds like the place to play in the Memphis area. The last time we were in town with EJ we played B.B. King's - during Elvis week, no less! 'Had to hit Graceland, do the King Thing, you know... 'Hope to be back in Memphis before too long. BRO' BRIAN, Charlie-man is showing me where it's at; a whole new approach. Nothing too subtle, just lay it on the floor and bang away, walk on it, whatever (a new method of "walking" bass?) Maybe he is ready for that punk band. He wants a roadie though, 'you available?
Roscoe
Austin, TX USA - Saturday, August 14, 1999 at 16:08:43 (EDT)

Hey Roscoe, Its your bro-in-law. I am glad to see that you are high tech, baby! They did a great job with the site. Great real audio! If I only had a sub-woofer hooked up. Has mini Charlie fingered that bass yet? As I am typing I can hear a punk rock band at a bar down the road and I am confident they could use a new bassist. What the hell, get him started early! Brian
Brian Bureson <noserub@adnc.com>
San Diego, CA USA - Saturday, August 14, 1999 at 00:41:43 (EDT)

Hey Roscoe, Its your bro-in-law. I am glad to see that you are high tech, baby! They did a great job with the site. Great real audio! If I only had a sub-woofer hooked up. Has mini Charlie fingered that bass yet? As I am typing I can hear a punk rock band at a bar down the road and I am confident they could use a nvew bassist. What the hell, get him started early! Brian
Brian Bureson <noserub@adnc.com>
San Diego, CA USA - Saturday, August 14, 1999 at 00:41:07 (EDT)

Hi Roscoe, When will you and ERIC JOHNSON be back in MEMPHIS ?????? Memphis is the place to be these days......especially right outside of memphis in TUNICA MS. Casinos have been built on TUNICA's cotton patches. One particular casino is really bringing in some good musicians from all over. The casino is called "Horseshoe" inside there is a club called, "Bluesville". That is where, I would like to see you guys play. MANY BIG NAMES have played there this summer. For example, Rick Derringer, Edgar Winter, Ringo Starr, Rodger Daltry etc..... I really think you guys would like playing there too. It reminds me of the old "SOLOMAN ALFRED'S" on Madison Ave(in Mid-Town)Memphis. I bet you can remenber that place........however, it was a long time ago 1975.... Anyway,I hope all is well with you and Eric Johnson, Please try to make it here...til later...stay cool. trish ps. I like your website
Patricia Connery <trishconnery@music.com>
Memphis, TN USA - Friday, August 13, 1999 at 20:35:31 (EDT)

Roscoe -- glad to see you finally have email! Lots to tell you, send me your address... Tammi's fine and all is well. Talk to you soon... Matt
Matt O'Reilly <matt@moreilly.com>
Bristol, CT USA - Friday, August 13, 1999 at 07:40:49 (EDT)

I bought one of the Roscoe Beck Endorsed 5 strings and I love it. I saw a few pictures of what looked like the same base in a 4 string model. Any chance Fender is going to build your bass in 4 string?
chris fanning <chriser@gte.net>
Vancouver, WA USA - Friday, August 13, 1999 at 01:24:03 (EDT)

hello my friend. your website is great. that's a good thing to have musical news from you here in europe. you have blow m y mind one more time during the last tou
christophe madrona
paris, france - Sunday, August 08, 1999 at 21:16:40 (EDT)

I love the website! It's great to be able to get news of where you'll be playing and what projects you're currently working on. My daughter, Jen, and I are huge fans and have hoped to see you again, with either Eric or Robben. do you have any plans in the foreseeable future to play in the southeast US? I hope so!
Anne Pogue <ajpogue@icomnet.com>
Goldsboro, NC USA - Sunday, August 08, 1999 at 12:58:04 (EDT)

Hi I'm Joe from Taiwan, I love this site ,it is hard to buy your signature bass in Taiwan, so I try to buy one on net, this site talk a lot about your bass and make me to sure I want one.
Joe Kao <a671721@ms15.hinet.net>
changhwa, Taiwan - Saturday, August 07, 1999 at 05:17:32 (EDT)

Roscoe, I love the site. Great job! See Ya.....
Mary Savage <savage@airmail.net>
Dallas, TX USA - Friday, August 06, 1999 at 15:58:50 (EDT)

Roscoe, I have seen you on tour with Eric Johnson a couple of times in Atlanta and met you back stage at one show. You are definitely a top notch Bassist. I Look forward to Eric's new record. Are you involved with the recording ? Do you plan to tour with him again ? I like your website. I think it was a good idea to put one together. I have it bookmarked and will check back often. Bruce
Bruce <brk65@mindspring.com>
USA - Thursday, August 05, 1999 at 21:35:11 (EDT)

To Johan and all: Hi, thanks for dropping in to visit the new website. I was sorry to miss several dates on Robben Ford's recent European tour due to the passing of my father. My heartfelt thanks to all those who expressed their sympathy and good wishes. To Frank: Thanks for visiting: I started playing bass at age 14; 'bought myself a Japanese hollowbody for $100. "Wish I still had it! Enjoy... and stay in touch. To Ken Shepherd: 'no plans to tour anymore with Robben this year, but... in the immortal words of Fats Waller, "...one never knows, do one?" To Jane: A big hug and hello from all of your Texas friends, big and small... 'Hope to see you soon.
Roscoe
Austin, TX USA - Wednesday, August 04, 1999 at 11:53:28 (EDT)

Went to see you with the Robben Ford band in Kristianstad. We all missed you very much. Too bad about your father. Our condolocense. Hope to see you soon.
Johan <Johan.Areskoug@Skanska.se>
Sweden - Monday, July 26, 1999 at 19:02:26 (EDT)

i like your web site. i play bass and im 14 years old...
Frank
USA - Friday, July 23, 1999 at 18:21:21 (EDT)

Love the site. Are you going to be touring with Robben in the U.S. after this summer?
Ken Shepherd
USA - Tuesday, July 13, 1999 at 13:53:54 (EDT)

Outrageously great, Roscoe.
Jane Gabrilove <allegro1@bigplanet.com>
Santa Monica, CA USA - Saturday, July 10, 1999 at 02:25:24 (EDT)

Back to Roscoe Beck's forum page